{"id":1004,"date":"2013-05-14T19:06:39","date_gmt":"2013-05-15T02:06:39","guid":{"rendered":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/?page_id=1004"},"modified":"2013-05-14T20:05:23","modified_gmt":"2013-05-15T03:05:23","slug":"bilbliography","status":"publish","type":"page","link":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/bilbliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<p>Below are the books and other media made available at the Context Stations and the Rare Books Collection.\u00a0 Please note that the final list of works provided at the former is based on the photo documentation taken at the exhibit by the exhibit docents and, so, represents works actually on view during the exhibit period.\u00a0 For that reason the listed works may differ from published preliminary documents and curatorial statements provided.\u00a0 The Rare Books bibliography represents the final list received from the Library of Congress.<\/p>\n<p style=\"text-align: left;\" align=\"center\">\n<div style=\"font-size: 13pt; color: #497fbf;\">Context Station 1:\u00a0 From Concrete to Kinetic Poetry<\/div>\n<p><i>The Alphabet Game. \u00a0A bpNichol Reader<\/i>.\u00a0 Ed. Darren Wershler-Henry and\u00a0Lori Emerson.\u00a0 Toronto, Canada:\u00a0 Coach House Books, 2007.<\/p>\n<p><i>Anthology of Concretism<\/i>.\u00a0 Ed. Eugene Wildman.\u00a0 Chicago Review Anthology Edition.\u00a0 Chicago, IL:\u00a0The Swallow Press, Inc., 1967.<\/p>\n<p><i>Anthology of Concretism<\/i>.\u00a0 Ed. Eugene Wildman.\u00a0 Second Revised &amp; Enlarged Edition.\u00a0 Chicago, IL:\u00a0The Swallow Press, Inc., 1969.<\/p>\n<p>bpNichol.\u00a0 <i>ABC:\u00a0 The Aleph Beth Book<\/i>.\u00a0 Ottawa, Canada:\u00a0 Oberon Press, 1971.<\/p>\n<p>&#8212;.<i> The Cosmic Chef:\u00a0 An Evening of Concrete<\/i>.\u00a0 No. 753. Ottawa, Canada:\u00a0 Oberon Press,\u00a01970.<\/p>\n<p>&#8212;. <i>Konfessions of an Elizabethan Fan Dancer<\/i>.\u00a0 Toronto, Canada:\u00a0 Weed Flower Press,\u00a01973.<\/p>\n<p>Geiser, Theodore (Dr. Seuss).\u00a0 <i>Green Eggs and Ham<\/i>.\u00a0 NY, NY:\u00a0 Beginner Books, 1990.<\/p>\n<p><i>H in the Heart.\u00a0 BpNichol:\u00a0 A Reader<\/i>.\u00a0 Ed. George Bowering and Michael Ondaatje.\u00a0 Toronto,\u00a0Canada:\u00a0 McClelland and Stewart, 1994.<\/p>\n<p>Higgins, Dick.\u00a0 <i>Pattern Poetry:\u00a0 Guide to an Unknown Literature<\/i>.\u00a0 Albany, NY: State University of\u00a0New York Press, 1987.<\/p>\n<p>Mac Low, Jackson.\u00a0 <i>Barnesbook:\u00a0 Four Derived from Sentences by Djuna Barnes<\/i>. Los Angeles, CA:\u00a0Sun &amp; Moon Press, 1996.<\/p>\n<p>McCaffery, Steve.\u00a0 <i>Carnival:\u00a0 The First Panel: 1967-70<\/i>.\u00a0 Toronto, Canada:\u00a0 The Coach House Press.\u00a01973.<\/p>\n<p>&#8212;.\u00a0 <i>Carnival:\u00a0 The Second Panel: 1970-75<\/i>.\u00a0 Toronto, Canada:\u00a0 The Coach House\u00a0Press. n.d.<\/p>\n<p><i>Mindplay:\u00a0 An Anthology of British Concrete Poetry<\/i>.\u00a0 Ed.\u00a0 John J. Sharkey.\u00a0 London, UK:\u00a0 Lorrimer\u00a0Publishing, 1971.<\/p>\n<p>Queneau, Raymond, Italo Calvino, Paul Fournel, Jacques Jouet, Claude Berge &amp; Harry Mathews.\u00a0<i>Oulipo Laboratory:\u00a0 Texts from the Biblioth\u00e8que Oulipienne<\/i>.\u00a0 London, England: Atlas Press, 1995.<\/p>\n<p>Reid, Barnett.\u00a0 <i>Words on Walls:\u00a0 A Survey of Contemporary Visual Poetry<\/i>.\u00a0 Heide Park and Art\u00a0Gallery. 1989.\u00a0 Exhibition catalog, 7 March \u2013 April 23, 1989.<\/p>\n<p>Roemer, Madge.\u00a0 <i>Fun with Your Typewriter:\u00a0 Commercial Art Typing<\/i>.\u00a0 Indian Hills, CO: The\u00a0Falcon\u2019s Wing Press, 1956.<\/p>\n<p>Schmidt-Burkhardt, Astrit.\u00a0 <i>Maciunas\u2019 Learning Machines:\u00a0 From Art History to a Chronology of \u00a0<\/i><i>Fluxus<\/i>.\u00a0 Vienna, Austria:\u00a0 Springer Press, 2011.<\/p>\n<p><i>Typewriter Art<\/i>. Ed. Alan Riddell.\u00a0 London, UK:\u00a0 London Magazine Editions, 1975.<\/p>\n<p>Urban, Dieter.\u00a0 <i>Digitale Wortbilder<\/i>.\u00a0 Kassel, Germany:\u00a0 Edition Reichenberger, 1987.<\/p>\n<p>Williams, Emmett.\u00a0 <i>Anthology of Concrete Poetry<\/i>. NY, NY:\u00a0 Something Else Press, 1967.<\/p>\n<p>Wright, Ernest Vincent.\u00a0 <i>Gadsby<\/i>.\u00a0 Los Angeles, CA:\u00a0 Wetzel Publishing Co., Inc., 1939.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"font-size: 13pt; color: #497fbf;\">Context Station 2:\u00a0 From Cut Up to Broken Up<\/div>\n<p><i>19 Necromancers from Now<\/i>.\u00a0 Ed. Ishmael Reed.\u00a0 Garden City, NY:\u00a0 Doubleday &amp; Company, Inc.,\u00a01970.<\/p>\n<p>Barth, John.\u00a0 <i>Letters:\u00a0 A Novel<\/i>.\u00a0 NY, NY:\u00a0 G. P. Putnam\u2019s Sons, 1979.<\/p>\n<p>Burroughs, William S.\u00a0 <i>Nova Express<\/i>.\u00a0 NY, NY:\u00a0 Grove Press, 1964.<\/p>\n<p>&#8212;.\u00a0 <i>The Soft Machine<\/i>.\u00a0 NY, NY:\u00a0 Grove Press, 1961.<\/p>\n<p>&#8212;.\u00a0 <i>The Ticket that Exploded<\/i>.\u00a0 NY, NY:\u00a0 Grove Press, 1962.<\/p>\n<p>Coover, Robert.\u00a0 1976. <i>The Public Burning<\/i>.\u00a0 NY, NY:\u00a0 Grove Press, 1998.<\/p>\n<p>Cort\u00e1zar, Julio. 1963. <i>Hopscotch<\/i>.\u00a0 Trans. Gregory Rabassa.\u00a0 NY, NY:\u00a0 Pantheon Books, 1966.<\/p>\n<p>Joyce, James. \u00a01922. \u00a0<i>Ulysses<\/i>.\u00a0 Mineola, NY:\u00a0 Dover Publications, Inc., 2009 (reprint of 1922\u00a0version published by Sylvia Beach).<\/p>\n<p><i>Joyce\u2019s Notes and Early Drafts for Ulysses.\u00a0 Selections from the Buffalo Collection<\/i>.\u00a0 Ed. Phillip F.\u00a0Herring.\u00a0 Charlottesville, Virginia: \u00a0The University of Virginia Press, 1977.<\/p>\n<p>Stein, Gertrude.\u00a0 <i>The Making of Americans<\/i>.\u00a0 NY, NY:\u00a0 Harcourt, Brace and Company, 1934.<\/p>\n<p>Sterne, Laurence.\u00a0 1759-67. <i>The Life and Opinions of Tristram Shandy, Gentleman<\/i>.\u00a0 Ed. Martin\u00a0Rowson.\u00a0 Woodstock, NY:\u00a0 Overlook Press, 1997.<\/p>\n<p>&#8212;.\u00a0 1759-67. <i>The Life and Opinions of Tristram Shandy, Gentleman<\/i>.\u00a0 Ed. Robert Folkenflik.\u00a0 NY,\u00a0NY:\u00a0 Modern Library, 2004.<\/p>\n<p>&#8212;.\u00a0 1759-67. <i>The Life and Opinions of Tristram Shandy, Gentleman<\/i>.\u00a0 Ed. Ian Campbell Ross.\u00a0Oxford, England:\u00a0 Oxford University Press, 1983, 2009.<\/p>\n<p><b>\u00a0<\/b><\/p>\n<div style=\"font-size: 13pt; color: #497fbf;\">Context Station 3 From Pong to Literary Games<\/div>\n<p>Packard, Edward. <i>Deadwood City<\/i>. Illustrated by Barbara Carter. \u00a0Philadelphia, PA:\u00a0 Lippincott,\u00a01978.<\/p>\n<p>&#8212;. <i>Sugarcane Island<\/i>. Illustrated by Barbara Carter. Waitsfield, VT: Crossroads Press, 1976.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"font-size: 13pt; color: #497fbf;\">Context Station 4:\u00a0 From the Great American Novel to the Multimodal Narrative<\/div>\n<p>Dos Passos, John.\u00a0 <i>1919<\/i>.\u00a0 NY, NY:\u00a0 Harcourt, Brace and Company, 1932.<\/p>\n<p>Vonnegut, Kurt. <i>Slaughterhouse-Five or The Children\u2019s Crusade<\/i>.\u00a0 NY, NY:\u00a0 A Seymour Lawrence\u00a0Book\/Delacorte Press, 1969.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"font-size: 13pt; color: #497fbf;\">Context Station 5:\u00a0 From Artists\u2019 Books to Electronic Art<\/div>\n<p>Abish, Walter.\u00a0 <i>Alphabetical Africa<\/i>.\u00a0 NY, NY:\u00a0 New Directions, 1974.<\/p>\n<p>bpNichol.\u00a0 <i>Art Facts:\u00a0 A Book of Contexts<\/i>.\u00a0 Tucson, AZ:\u00a0 Chax Press, 1990.<\/p>\n<p>Danielewski, Mark Z.\u00a0 <i>House of Leaves<\/i>.\u00a0 City, St:\u00a0 Pantheon Books, 2000.<\/p>\n<p>DSH (Dom Sylvester Houeldard).\u00a0 <i>Begin Again:\u00a0 A Book of Reflections &amp; Reversals<\/i>.\u00a0 Introduction\u00a0by Stefan Themerson.\u00a0 Brampton, Cumbria : LYC Museum and Gallery, 1975.<\/p>\n<p>Becker, J\u00fcrgen and Wolf Vostell. <i>Happenings:\u00a0 Fluxus, Pop Art, Nouveau R\u00e8alisme<\/i>.\u00a0 City, St:\u00a0Rowohlt, 1965<\/p>\n<p>Riddell, John.\u00a0 <i>Criss-Cross<\/i>.\u00a0 Toronto, Canada:\u00a0 The Coach House Press, 1977.<\/p>\n<p>Ronell, Avital. <i>The Telephone Book<\/i>:\u00a0 Technology, Schizophrenia, and Electronic Speech. Lincoln,\u00a0NE:\u00a0 University of Nebraska Press, 1989.<\/p>\n<p>Safran Foer, Jonthan.\u00a0 <i>Tree of Codes<\/i>.\u00a0 London, England:\u00a0 Visual Editions, 2010.<\/p>\n<p>Verne, Jules. <i>The Mysterious Island<\/i>.\u00a0 NY, NY:\u00a0 Scribner, Armstrong &amp; Co., 1875<\/p>\n<p>&#8212;. 1875. <i>The Mysterious Island<\/i>.\u00a0 Trans. Sidney Kravitz.\u00a0 Middletown, CT:\u00a0 Wesleyan UP, 2001.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"font-size: 13pt; color: #497fbf;\">Books Exhibited for The Electronic Literature Showcase<br \/>\n The Library of Congress Rare Book and Special Collections Division<br \/>\nApril 4, 2013<\/div>\n<p>&nbsp;<br \/>\n<strong>1. \u00a0Apollinaire, Guillalume.<\/strong><br \/>\n<i>Calligrammes<\/i>.\u00a0 Lithos de Chirico.\u00a0 Paris: Gallimard, 1930.Binding by Paul Bonet<\/p>\n<p>Rosenwald 2163<br \/>\nLessing J Rosenwald Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>2. \u00a0Bervin, Jen.<\/strong><br \/>\n<i>The Dickinson Composites<\/i>. [New York: Grananry Books], [2010].<\/p>\n<p><em>The Dickinson Composites<\/em> is an artist book that focuses on a series of large-scale quilts Jen Bervin made by embroidering the poet Emily Dickinson&#8217;s unusual punctuation markings from her fascicles.\u00a0 In an essay by Bervin elucidates Dickinson&#8217;s variant marking system in her poetry manuscripts and provides further context for the quilts.<\/p>\n<p>Press Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>3. \u00a0Braccelli, Giovanni Battista, fl. 1624-1649.<\/strong><br \/>\n<i>Bizzarie di varie<\/i>. [Livorno : s.n.], 1624.<\/p>\n<p>Rosenwald 1345<br \/>\nLessing J. Rosenwald Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>4. \u00a0Broaddus, John Eric, 1943- <\/strong><br \/>\n<i>Current glossary: words coined since the war<\/i>. [S.l. : s.n., 2004?]<\/p>\n<p>Altered book by John Eric Broaddus, includes paintings, drawings, collaged images, handwritten notes, cut-outs and cut-outs allowing for portion of other text on a different page to be read.\u00a0 The original text, <i>Current glossary<\/i> by R.W. Cowden, was published by the Educators Association in Ann Arbor, Michigan in 1917.<\/p>\n<p>N6537.B7 C87 2004<br \/>\nArtists&#8217; Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>5. \u00a0Chen, Julie.<\/strong><br \/>\n<i>True to life<\/i>.\u00a0 Berkeley : Flying Fish Press, 2004.<\/p>\n<p>The image that appears on each page is one section of a long, continuous visual timeline that can never be viewed all at once. The front is made of a Plexiglas panel through which book pages are viewed. Along the sides of the book are numbered wooden levers corresponding to the leaf of the book to be revealed. Levers are slid, moving 7 panels on the page surface, overlaying one page upon the next, creating &#8220;a patchwork narrative of events.&#8221; Each leaf contains images and text.<\/p>\n<p>N7433.4.C436 T78 2004<br \/>\nPress Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>6. \u00a0Dante Alighieri, 1265-1321.<\/strong><br \/>\n<i>The Divine Comedy of Dante Alighieri<\/i> \/ a verse translation by Tom Phillips with images and commentary.\u00a0 London : Talfourd Press, [1983].\u00a0 3 volumes<\/p>\n<p>The commentary is &#8220;a parallel text embedded in the images; a poetic gloss deriving &#8230; from W.H. Mallock&#8217;s <i>A Human Document<\/i>, a Victorian novel that is here plundered &#8230;for possible insights into Dante&#8217;s thought.&#8221;<\/p>\n<p>PQ4315 .P49 1983 folio<br \/>\nArtists\u2019 Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>7. \u00a0Davidson, Laura.<\/strong><br \/>\n<i>Random thoughts on hope<\/i>.\u00a0 [Boston]: Laura Davidson, 2003.<\/p>\n<p>A wooden volvelle inside a wooden box.\u00a0 The volvelle is 4 concentric circles with the word &#8220;hope&#8221; at the center. The next circle contains 8 prepositions, and the next 32 nouns.\u00a0 When the volvelle is moved the words combine to create phrases.\u00a0 The box lid has a key in the center, with small gears instead of a handle.<\/p>\n<p>N7433.4.D38 R36 2003<br \/>\nArtists&#8217; Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong><i>8. \u00a0The Declaration<\/i>.\u00a0 1920.<\/strong><br \/>\nPortfolio 162, Folder 14<br \/>\nPrinted Ephemera Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>9. Drescher, Henrik.<\/strong><br \/>\n<i>Too much bliss<\/i>.\u00a0 New York City : Granary, 1992 ([Minneapolis] : Hermetic Press)<\/p>\n<p>In the words of Johanna Drucker, &#8220;this book has the look of some manic, encyclopedic new age Sears and Roebuck mail order catalogue of all the elements that ever existed in the course of organic history and human memory.&#8221;\u00a0 The subtitle says it all:\u00a0 \u201cScars, tattoos, and forgotten instructions \u2013 everything at once\u201d\u00a0 Everything is here \u2013 body parts, coffee stains, clumsy watercolor, cryptic hand, latex, rambling thoughts, gestures collage\u2026.<\/p>\n<p>N7433.4.D7473 T66 1992<br \/>\nPress Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>10. \u00a0Ely, Timothy.<\/strong><br \/>\n<i>Optical Aleutians 2<\/i>.\u00a0 1987.<\/p>\n<p>Art work on most pages includes artist&#8217;s invented script.<\/p>\n<p>N7433.4.E35 A4 1987<br \/>\nArtists&#8217; Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>11. Kaufman, Margaret.<\/strong><br \/>\n<i>Aunt Sallie&#8217;s lament<\/i>.\u00a0 West Burke, Vermont : Janus Press, c1988.<\/p>\n<p>PS3561.A8612 A96 1988<br \/>\nJanus Press Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>12. \u00a0Koch, Peter Rutledge.<\/strong><br \/>\n<i>Ur-text<\/i>. [Berkeley, CA:\u00a0 Peter Koch, 1994]<\/p>\n<p>Vol. 1 hand sewn onto alum-tawed goatskin thongs and covered in calfskin vellum by Daniel Flanagan.\u00a0\u00a0 Vol. 3 &#8220;hand bound by Daniel Kelm in various metals.&#8221;<\/p>\n<p>Z232.K775 U78 1994 folio<br \/>\nPress Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>13. \u00a0Osborn, Kevin, 1951-<\/strong><br \/>\n<i>Vector rev<\/i>. \u00a0[Arlington, Va.: K. Osborn, 1983]<\/p>\n<p>A compressed spiral loading radii off a central point. 14 colors &#8230; Offset on 11 colors of paper. Bound between machined aluminum with ribbon and jewels.<\/p>\n<p>N7433.4.O83 A4 1983 folio<br \/>\nArtists\u2019 Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>14. \u00a0Pfeiffer, Werner.<\/strong><br \/>\n<i>Hocus Pocus<\/i>.\u00a0 Red Hook, NY: Pear Whistle Press, 2012<\/p>\n<p>Press Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>15. \u00a0Pfeiffer, Werner.<\/strong><br \/>\n<i>Zig Zag<\/i>.\u00a0 Red Hook, NY: Pear Whistle Press, 2012<\/p>\n<p>Press Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>16. \u00a0Pfeiffer, Werner.<\/strong><br \/>\n<i>ZiPo<\/i>.\u00a0 Red Hook, NY: Pear Whistle Press, 2012<\/p>\n<p>Press Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>17. \u00a0Phillips, Tom, 1937-<\/strong><br \/>\n<i>A humument : a novel after W.H. Mallock<\/i>. [London : Tetrad Press, 1970-1975]<\/p>\n<p>A verbal and graphic creation utilizing pages from Mallock&#8217;s novel A human document (new ed., London, 1892).<\/p>\n<p>PR6066.H495 H8 1970<br \/>\nRare Book Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong><i>18. Poesie de mots inconnus<\/i><\/strong>.\u00a0<br \/>\nParis, 1949.<\/p>\n<p>Rosenwald 2198<br \/>\nLessing J. Rosenwald Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>19. Smith, Keith A., 1938- .<\/strong><br \/>\n<i>Book 91<\/i>.\u00a0 Barrytown, N.Y.: Space Heater Multiples, [1982]<\/p>\n<p>An art work, without printing except for the embossed title page. \u00a0Termed a &#8220;string book&#8221; in the artist&#8217;s <i>Structure of the visual book<\/i>, 1984. Its leaves are strung together with linen cords and punched with holes to create varying effects of light and shadow when viewed with a single light source.<\/p>\n<p>N7433.4.S65 A4 1982 folio<br \/>\nArtists\u2019 Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>20. \u00a0Spector, Buzz.<\/strong><br \/>\n<i>A passage<\/i>.\u00a0 New York: Granary Books, 1994.<\/p>\n<p>Identical copies of a single leaf are torn and bound, forming a composite image of the leaf.<\/p>\n<p>N7433.4.S6855 P377 1994<br \/>\nPress Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>21. \u00a0Sterne, Laurence, 1713-1768.<\/strong><br \/>\n<i>The life and opinions of Tristram Shandy, gentleman : In three volumes<\/i> &#8230; Dublin : printed for J. Potts, J. Williams, W. Colles, T. Walker, C. Jenkin, and L. White, 1779.\u00a0 3 volumes<\/p>\n<p>PZ3.S839 T 4<br \/>\nPre-1801 Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>22. \u00a0Sterne, Laurence, 1713-1768.<\/strong><br \/>\n<i>The life and opinions of Tristram Shandy, gentleman<\/i>.\u00a0 San Francisco: Arion Press, 1988.<\/p>\n<p>Issued in a case with: Baldessari, John, 1931- .\u00a0 <i>Photo-collages for Tristram Shandy<\/i> \/ John Baldessari; \u00a0with quotations from the novel by Laurence Sterne.<\/p>\n<p>PR3714 .T7 1988<br \/>\nPress Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>23. \u00a0Stevenson, Robert Louis, 1850-1894.<\/strong><br \/>\n<i>The strange case of Dr. Jekyll and Mr. Hyde<\/i>.\u00a0 Paris: Mutel, 1994.<\/p>\n<p>PR5485 .A1 1994 folio<br \/>\nPress Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>24. \u00a0Tory, Geoffroy, ca. 1480-ca. 1533.<\/strong><br \/>\n<i>Champ Flevry<\/i>. Paris, [1529]<\/p>\n<p>Rosenwald 994<br \/>\nLessing J. Rosenwald Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>25. \u00a0Verlaine, Paul Marie.<\/strong><br \/>\n<i>Parallement<\/i>.\u00a0 Lithographs by Pierre Bonnard.\u00a0 Paris: A. Vollard, 1900<\/p>\n<p>Rosenwald\u00a0 2125<br \/>\nLessing J. Rosenwald Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>26. \u00a0Winston, Sam.<\/strong><br \/>\n<i>Orphan<\/i><\/p>\n<p><strong>27. \u00a0Winston, Sam.<\/strong><br \/>\n<i>The Romeo &amp; Juliet series : Passion, Rage &amp; Solace<\/i>.\u00a0 London: Arc Artist Editions, [2009].\u00a0 5 loose sheets in portfolio<\/p>\n<p>Artists\u2019 Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n<p><strong>28. \u00a0Winston, Sam.<\/strong><br \/>\n<i>A Dictionary Story<\/i>.\u00a0 London: Circle Press, 2006<\/p>\n<p>Artists\u2019 Books Collection<br \/>\nRare Book and Special Collections Division<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Below are the books and other media made available at the Context Stations and the Rare Books Collection.\u00a0 Please note that the final list of works provided at the former is based on the photo documentation taken at the exhibit &hellip; <a href=\"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/bilbliography\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages\/1004"}],"collection":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/comments?post=1004"}],"version-history":[{"count":19,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages\/1004\/revisions"}],"predecessor-version":[{"id":1009,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages\/1004\/revisions\/1009"}],"wp:attachment":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/media?parent=1004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}