{"id":262,"date":"2013-03-01T08:38:27","date_gmt":"2013-03-01T16:38:27","guid":{"rendered":"http:\/\/dtc-wsuv.org\/wp\/elit-loc\/?page_id=262"},"modified":"2013-03-11T22:24:49","modified_gmt":"2013-03-12T05:24:49","slug":"judy-malloy","status":"publish","type":"page","link":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/judy-malloy\/","title":{"rendered":"Judy Malloy"},"content":{"rendered":"<p><a href=\"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-content\/uploads\/2013\/03\/malloy_thumbnail.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-447\" style=\"border: 1px solid black;\" alt=\"malloy_thumbnail\" src=\"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-content\/uploads\/2013\/03\/malloy_thumbnail.jpg\" width=\"150\" height=\"164\" \/><\/a>A pioneer in electronic literature, Judy Malloy followed a vision of hypertextual narrative that she began in the 1970&#8217;s with experimental artist books. \u00a0In the 1980&#8217;s, she wrote and programmed the seminal hyperfiction, <i>Uncle Roger<\/i>. In the ensuing years, she created a series of innovative hypernarratives &#8212; including <i>its name was Penelope<\/i>, (Eastgate) and <i>From Ireland with Letters<\/i> &#8212;\u00a0 that have been internationally exhibited and published.<\/p>\n<p>Malloy\u2019s work with narrative as information was influenced by her early work as searcher-editor for the Library of Congress, and she is delighted that <i>its name was Penelope<\/i> is included in this exhibition.<\/p>\n<p>To learn more about Judy&#8217;s work, visit:\u00a0<a title=\"Judy Malloy\" href=\"http:\/\/www.well.com\/user\/jmalloy\/\" target=\"_blank\">http:\/\/www.well.com\/user\/jmalloy\/<\/a><br \/>\nContact:\u00a0jmalloy@well.com<\/p>\n<p>&nbsp;<\/p>\n<div style=\"font-size: 13pt; color: #497fbf;\"><a href=\"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-content\/uploads\/2013\/03\/malloy_penelope.jpg\"><img loading=\"lazy\" class=\"size-full wp-image-735 aligncenter\" style=\"border: 1px solid black;\" alt=\"malloy_penelope\" src=\"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-content\/uploads\/2013\/03\/malloy_penelope.jpg\" width=\"95\" height=\"113\" \/><\/a><\/div>\n<div style=\"font-size: 13pt; color: #497fbf;\"><\/div>\n<div style=\"font-size: 13pt; color: #497fbf; text-align: center;\">About <i>its name was Penelope<\/i><\/div>\n<p>&nbsp;<\/p>\n<p><i>its name was Penelope<\/i> (Eastgate, 1993, iPad edition in press) is a collection of memories in which a woman photographer recollects the details of her life. Considered one of the classic works of electronic literature, <i>its name was Penelope<\/i> invites the reader to explore an artist&#8217;s life &#8212; from &#8220;Dawn&#8221;, the Homeric sunrise, the beginning of life; to the details of the narrator&#8217;s photography-based artwork in &#8220;Fine Work and Wide Across&#8221;; to the troubles related in &#8220;Rock and Hard Place&#8221;; to a concluding &#8220;Song&#8221; of love and a shared life.<\/p>\n<p>Like a photos in a photo album, each lexia represents an image from Anne&#8217;s memory &#8212; so that the work is the equivalent of a pack of small paintings or photographs that the computer continuously shuffles. The reader sees things as she sees them, observes her memories come and go in a natural, yet nonsequential manner. The work unfolds a constantly changing order &#8212; like the weaving and reweaving of Penelopeia&#8217;s web.<\/p>\n<p>Crafted like poetry, the cadence and tone of each paragraph\/stanza in this hypernarrative are carefully constructed so that in whatever order they are seen, the reading experience appears natural. The computer-mediated interface seamlessly immerses the reader in an electronic poetry chapbook where the &#8220;pages&#8221; are magically brought up at the will of the computer. Poetic narrative is shuffled, continuously changes order, submerges, resurfaces, repeats, and seductive repetition situates the reader in a place of remembered narrative.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A pioneer in electronic literature, Judy Malloy followed a vision of hypertextual narrative that she began in the 1970&#8217;s with experimental artist books. \u00a0In the 1980&#8217;s, she wrote and programmed the seminal hyperfiction, Uncle Roger. In the ensuing years, she &hellip; <a href=\"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/judy-malloy\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages\/262"}],"collection":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/comments?post=262"}],"version-history":[{"count":6,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages\/262\/revisions"}],"predecessor-version":[{"id":818,"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/pages\/262\/revisions\/818"}],"wp:attachment":[{"href":"http:\/\/dtc-wsuv.org\/elit\/elit-loc\/wp-json\/wp\/v2\/media?parent=262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}