The Scholarship of Electronic Literature

Electronic Literature is an emergent literary form and academic field, whose genesis can be traced to the 1989 work by Michael Joyce, afternoon: a story. As a form, it can be described as "literary works created with the use of a computer for the electronic medium such that they cannot be experienced in any meaningful way without the mediation of an electronic device" (Grigar, "The Present [Future] of Electronic Literature," 128-9); as a field, it is building through online journals and sites, like Hyperrhiz, ebr, Hermaneia, the Iowa Review Web, Leonardo Electronic Almanac, Turbulence, Drunken Boat, and Authoring Software; a growing body of print publications like N. Katherine Hayles' Electronic Literature: New Horizons for the Literary, Jörgen Schäfer and Peter Gendolla's Beyond the Screen: Transformation of Literary Structures, Interfaces, and Genres, Eduardo Kac's Media Poetry, and C.T Funkhouser's Prehistoric Digital Poetry; and organizations and initiatives like the Electronic Literature Organization in the U.S., ELMCIP in Europe, and "Creative Nations" in Australia, all of which undertake a variety of activities, such as sponsoring academic meetings, publishing proceedings, and leading projects for the development, archiving, and promotion of this genre of literature.

While in Europe the term "Digital Literature" is used to refer to Electronic Literature, in the U.S. digital literature is generally seen as print-based literary work digitalized for the web and stand-alone technologies like a CD-ROM. Examples of digital literature would include a copy of Homer's Odyssey found at The Perseus Digital Library or an electronic edition of Emily Dickinson's "manuscripts" at the Dickinson Electronic Archives. Put simply, Electronic Literature is considered a "born digital" art form with unique approaches to thinking about and working with digital technologies for the purpose of creating literary art.



Beginning a Study of Electronic Literature

In beginning a study of electronic literature, the best place to begin is N. Katherine Hayles' book, Electronic Literature: New Horizons for the Literary, published by Notre Dame Press in 2008. The first chapter, especially, is helpful since it lays out its definition, provides a historical context for what she identifies as "generations" of works of electronic literature, identifies some of its genres, and cites examples of important works. This article was first published online by the Electronic Literature Organization and is generally seen as "the first systematic attempt to survey and summarize the fast-changing field of electronic literature, artists, designers, writers, critics, and other stakeholders" ("ELO Publications").

Those wondering why electronic literature is relatively unknown in a larger context may want to read the essay, "Electronic Literature: Where Is It?" by Dene Grigar, aimed as a companion to Hayles' essay. It suggests that differences in cognitive patterns between print and electronic works, assumptions of what constitutes the quality of "literariness," and requirements for even tenure and promotion as all contributing to its lack of presence in the academy. Additionally, Grigar argues that as video games and other digital media forms found in popular culture mainstream more readily into the academy, so will Electronic Literature, and that students who are, indeed, inculcated from birth by digital media will ultimately be the final arbitrators of its popularity and growth. Her call to action at the end of the essay gave rise to the motivation for this Electronic Literature exhibit at the MLA 2012 Convention.



Dene Grigar's Primary &: Secondary Works and Reviews of Electronic Literature

Net Art & Documentation of Multimedia Performance Works

"The 24-Hr. Micro-Elit Project". 24 works of micro-fiction published on Twitter. August 21, 2009.

"Things of Day and Dream." With Jeannette Altman. Performance at Clark College, on September 27, 2008. Archived at: http://www.youtube.com/watch?v=NZGz73Fu_es.

"Rhapsody Room." With Jeannette Altman. Performance on September 27, 2008.

When Ghosts Will Die. With Steve Gibson. Performances on September 10, 2005 and April 9, 2005. Archived at: http://www.telebody.ws/ghosts/media.php.

"Fallow Field: A Story in Two Parts." Iowa Web Review. September 2004. Translated into Spanish by Eilene Powell.

"The Jungfrau Tapes: A Conversation with Diana Slattery about The Glide Project." Iowa Web Review. September 2004.



Articles & Book Chapters

"On the Art of Producing a Phenomenally Short Fiction Collection over the Net Using Twitter: 'The 24-Hr. Micro-Elit Project.'" Authoring Software. January 2011.

"Hyperlinking in 3D Multimedia Performances." Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres. Ed. Jörgen Schäfer and Peter Gendolla. Bielefeld, Germany: Transaction Publishers, March 2010.

"Visionary Landscapes: Literature on the Edge of Time and Space." Hyperrhiz. 2009.

"Electronic Literature: Where Is It?" Electronic Book Review (ebr). January 2009.

"The Present [Future] of Electronic Literature." Transdisciplinary Digital Art: Sound, Vision and the New Screen. Ed. Randy Adams, Steve Gibson and Stefan Muller. Heidelberg, Germany: Springer-Verlag Publications. CCIS (Communications in Computer and Communication Science Series). 2008.

"Motion Tracking Technology, Telepresence, and Collaboration." With Steve Gibson. Hyperrhiz 03, Summer 2007.

"The Role of Sound in Electronic Literature." trAce Online Writing Center. Spring 2006.

"The Potential of Electronic Textuality." Engineering Nature. Ed. Roy Ascott. Plymouth: Intellect Press, 2005.

"Ephemeral Writing." With Steve Gibson. Copenhagen, DE: Digital Arts and Culture, 2005.

"The Challenges of Hybrid Forms of Writing." Computers and Composition 22 (2005) : 375-393.

"Off the Printed Page: Background and Theory about Electronic Literature." Ciberart-Bilbao. Ed. Géraldine de Ponthière. CD-ROM. 2004.

"Report on Ted Nelson's Keynote Address at Incubation 2004." Computers and Composition 21.4 (2004) : 485-87.

"Breath by Breath: An Interview with Kate Pullinger about 'The Breathing Wall.'" Computers and Composition 21.4 (2004) : 475-83. "Electronic Literature: Its Types and Some Examples." Redes Sensorias: Arte, Ciência e Tecnologia. (Sensual Media: Art, Cinema, and Technology). Ed. Katia Valeria Maciel Toledo. Rio de Janeiro: Contra Capa, 2003. 77-86.

"A Report from the Electronic Edge . . . Border and Interface." State of the Arts. Ed. Scott Rettberg. LA: Electronic Literature Organization, 2003. 63-69.

"Mutability, Medium and Character." Spec. issue of Computers and the Humanities. Ed. Ray Siemens (2002) : 359-378.

"MOOtextuality." Ed. Sean Williams. Spec. issue of Texts Technology: The Journal of Computer Text Processing (2002) : 163-179.

"A Dialog on the Reality of Writing in Virtual Environments." New Worlds, New Words: Exploring Pathways for Writing about and in Electronic Environments. Cresskill, NJ: Hampton Press, 2001. 21-73.



Reviews

"Review of Grafik Dynamo." By Kate Armstrong and Michael Tippett, with essay by Joseph Tabbi. Leonardo Reviews. June 2011.

"Review of Ex-Foliations: Reading Machines and the Upgrade Path." By Terry Harpold. Leonardo Reviews. December 2009. Reprinted in Leonardo Reviews Quarterly 1.01. June 1010.

"Review of Media Poetry: An International Anthology. By Eduardo Kac." Consciousness, Literature and the Arts. Vol. 9 Number 2, August 2008.

"Review of 'The Future of Electronic Literature.'" Leonardo Digital Reviews. June 2007.

"Review of Close Reading New Media," by Jan Van Looy and Jan Baetens. Leonardo Digital Reviews. July 2004. Reprinted in Leonardo: Journal of the International Society for the Arts, Sciences and Technology 38.3 (2005).

"Review of Twisty Little Passages: An Approach to Interactive Fiction," by Nick Montfort. Leonardo Digital Reviews. June 2004. Reprinted in Leonardo: Journal of the International Society for the Arts, Sciences and Technology 38.2 (2005).

"Review of Writing Machines," by N. Katherine Hayles. Leonardo Digital Reviews. March 2003.



Curatorial Work

"Electrifying Literature." Forthcoming at The 2012 Electronic Literature Organization 2012 Conference. Morgantown, WV; June 2012.

"Electronic Literature." Forthcoming at The 2012 Modern Language Association Conference. Seattle, WA; January 2012.

"mediartZ: Art as Experiential, Art as Participatory, Art as Electronic." North Bank Artists Gallery, October 2-31, 2009. Vancouver, WA.

"Visionary Landscapes: The Electronic Literature Organization Media Art Show." North Bank Artists Gallery, Clark College, and Washington State University Vancouver. May 29-June 1, 2008. Vancouver, WA.

"Wild Nature and the Digital Life." With Sue Thomas. Leonardo Electronic Almanac. November 2006 Volume 16, Issue 08. ISSN NO : 1071 - 4391.

"Project X + The Planetary Collegium Media Art Show." April 2005. Dallas, TX.



Lori Emerson's Scholarship of Electronic Literature

Edited Books, Journal Issues, & Online Archives

Guest Editor. Open Letter: A Canadian Journal of Writing and Theory, Special Issue: bpNichol+21. 13:8 (Spring 2009).

Guest Editor. Open Letter: A Canadian Journal of Writing and Theory, Special Issue: bpNichol+20. 13:5 (Spring 2008).

Editor with Darren Wershler-Henry. The Alphabet Game: A bpNichol Reader. Toronto, ON: Coach House Books, 2007.

Editor, Producer. "bp Nichol." PENNsound online audio archive (January 2006). University of Pennsylvania Center for Programs in Contemporary Writing.



Peer Reviewed Articles in Journals, Collections, & Encyclopedias

"Materiality, Intentionality, and the Computer-Generated Poem: A Reading of Walter Benn Michaels With Erin Mouré's Pillage Laud." English Studies in Canada 34:4 (December 2008, published Spring 2010): 45-69.

"A Hyperspace Poetics, or, Words in Space: Digital Poetry Through Ezra Pound's Vorticism." Configurations: A Journal of Literature, Science, and Technology. Special Issue: Mathematics and the Imagination. 17:1-2 (Spring 2009, published Spring 2010): 161-192.

"My Digital Dickinson." The Emily Dickinson Journal. Special Issue: Contemporary Poetics. 17:2 (Fall 2008): 55-76.

"Numbered Space and Topographic Writing." Leonardo Electronic Almanac, Special Issue: New Media Poetry and Poetics. The MIT Press. 14:5 (September 2006).

"Digital Poetry as Reflexive Embodiment." Cybertext Yearbook (2002-2003): 88-106.



Kathi Inman Berens' Scholarship &: Works of Electronic Literature

Here is where we put our own material. Since we cannot be artists in our own exhibit, it is a good place to list our artistic works as well as our scholarship.