Part 2
Christy Sheffield Sanford
ChristyS@gnv.fdt.net
   
PERIODICALS

  • "Slashes." DIE YOUNG, Lafayette, LA, forthcoming.

  • "Up Fifty Feet," "Come to Daddy," "Blue Lust" and "Blue Mud" from Blue Lust Diagrams. CENTRAL PARK, New York, NY, Number 26, Winter, 1997, pp. 16-20.

  • "Bivens Arm Nature Poem (Thirty-One Afternoons in Winter)." CHAIN, New York, NY, #3., Vol 1, 1996, pp. 180-182.

  • "If If," "Black Snake" and "Beautiful Decomposition" from Blue Lust Diagrams. PRIVATE, Chicago, IL, Spring, 1996, Issue 10, pp. 148-151.

  • "Sopa." THE ILLINOIS REVIEW, Bloomington, IL, Double Issue: Fall, 1995/Spring, 1996, pp. 91-94.

  • "PG3335 .Z8, M18," "PQ2354 .D68, 1986," "PQ 2607 .U8245, 1976," and "GN282.W55 1989," from Library of Congress. THE ILLINOIS REVIEW, Bloomington, IL, Double Issue: Fall 1995/Spring 1996, pp. 101-102.

  • "Thirty-One Days in July." HEAVEN BONE, Chester, NY, Issue 12, 1996, pp 39-42.

  • "Swamp" from Packaged Deals. OYSTER BOY, Chapel Hill, NC, Issue 3, Fall,1995, Centerfold.

  • "Georgette's Revenge (Linked Frames)." TO: A JOURNAL OF POETRY, PROSE + THE VISUAL ARTS, Narberth, PA, Summer, 1995, pp. 86-100.

  • "Blue Mud-Lust" and "Right Hand" from Blue Lust Diagrams. FICTION INTERNATIONAL, San Diego, CA, #27, 1995, pp. 81-83.

  • "PQ 1805.L5 A72" and "QB981 H377 1988" from Library of Congress. NO ROSES REVIEW, Chicago, IL, Summer, 1995, pp. 41-42.

  • "MÈmoires de Camargo (Seeds of the Revolution)." MEMBRANE, Washington, D.C., Spring, 1995, pp. 85-99.

  • "The P's (With a Few Red Lilies from France)." MISSISSIPPI MUD, # 37, Portland, OR, 1994, p. 42.

  • "Italian Smoking Piece (With Simultaneous Translation)." APALACHEE QUARTERLY, #39, Tallahassee, FL, 1993, pp. 1-17.

  • "The Color Scheme," "The H's: The Spasms of a Requiem (With Tigers, Electric Saw and De Maupassant's Hearts)," "Hand Jive (Blond and Black, Sunlight and Mourning)," "Flashback #1 (The Kinetic Museum)," and "Somersaults (With Goddess Stomp)" from The H's: The Spasms of a Requiem." PRIVATE, #7, Chicago, IL, 1992, pp. 51-58.

  • "L'élève." EXQUISITE CORPSE, #37, Baton Rouge, LA, July-Aug., 1992, p. 17.

  • "Flashback #2 (The Tête à Tête)" and "The Send Off" from The H's: The Spasms of a Requiem. THE WORLD (Poetry Project), #43, New York, NY, 1992, pp. 54-55.

  • "Florida Map Meat." THE WORLD (Poetry Project), #43, NY, NY, 1992, p. 55.

  • "Italian Tomato Label Love Song." CAPRICE, Wichita, KS, June, 1992, p. 62.

  • "Mexico City Is Sinking, Komodo Dragons and Cocks-of-the-Rock." YELLOW SILK, Albany, CA, Summer/Fall, 1992, pp. 42-45.

  • "Pearls and Swine." ACM [Another Chicago Magazine], #24, Chicago, IL, Fall, 1992, pp. 145-150.

  • "Pink Silk Poem." CAPRICE, Wichita, KS, Aug., 1992, p. 11.

  • "Raisin Bread (With Lecture Notes and Shadows)." FIVE FINGERS REVIEW, #11, San Francisco, CA, 1992, pp. 146-152.

  • "Scenes of Angela Kissing (With Tunnel Visions, Snow White and Dopey)." BLACK ICE, #9, Boulder, CO, 1992, pp. 43-49.

  • "Triptych: Panel #1: Laws of the Jungle," "Panel #2: Wailing" and "Panel #3: Funeral Arrangement (A Layering of Steel and Flowers)" from The H's: The Spasms of a Requiem. SONORA REVIEW, #22/23, Tucson, AZ, Spring, 1992, pp. 99-101.

  • "Do-It-Yourself Woman Enveloped and De-Enveloping." PIG IRON, #17, Youngstown, OH, 1991, p. 63.

  • "Measuring (Sixties Sex Research, Moving into the Realm of the Angels)." EXQUISITE CORPSE, #33, Baton Rouge, LA, 1991, p. 27.

  • "Black and Tan Fantasy (Dance after Duke Ellington)." CAPRICE, Wichita, KS, 1990, p. 92.

  • "Crab Dance." ARTFUL DODGE, #18/19, Wooster, OH, 1990, p. 118.

  • "Dance of the Five Veils." THE NEW YORK QUARTERLY, #42, Summer, New York, NY, 1990, pp. 91, 92.

  • "Hurt Park." THE NEW YORK QUARTERLY, #41, Spring, New York, NY, 1990, p. 73.

  • "Maculate Conception at Bivens Arm." EARTH'S DAUGHTERS, #35, Buffalo, NY, 1990, pp. 11-13.

  • "Mary, Tied to Dressing Table." and "Missionary Moving through M's (With Multiple Choices and Found List)." BIG WEDNESDAY, Vol. II, Issue 1, Spring, New York, NY, 1990, pp. 4, 5.

  • "1928 Guide to the Italian Riviera (Lux Flakes)." APALACHEE QUARTERLY, #35, Talahassee, FL, 1990, pp. 1-3.

  • Work Prior to 1990 Listed by Name, Place and Year: "Black Hawk (My `Antonia')." THE MINNESOTA REVIEW, 1989; "Balzac Robed, Balzac Nude." NEGATIVE CAPABILITY,1989; "Come Closer, Leo (Portrait of a Moving Subject)." VOL. NO., 1989; "Gargoyle Piece (To Be Performed at Notre Dame by Churchgoers, Tourists, Others)." NORTH AMERICAN REVIEW, 1989; "Home Movie of My Grandmother Laughing (With Quotes from an Article on Crystals, a Cadillac Brochure and the Rubáiyát of Omar Khayyám)." EPOCH, 1989; "Lady of the Valentine (With Dangerous Suggestions)." HELICON NINE, 1989; "Magnolia Grandiflora L." KANSAS QUARTERLY, 1989; "New Guinea Seduction." MARGIN, 1989; "Raisin Bread (With Lecture Notes and Shadows)." CENTRAL PARK, 1989; "The Romance of Citrus (Sectional Version)." 11 x 30, (Toledo Poets Center), 1989; "Romance of Reptiles (An Evolutionary Tale)." SPEAKEASY, 1989; "Song of the Necklaces (Soap Opera Version)." GYPSY, 1989; "Southern New Mexico Preference Test (Short Answer Machine Scored, Form B)." Z MISCELLANEOUS, 1989; "A Starry Night with Perfect Swirls (Twentieth Century Iconic Martyrs)." MISSISSIPPI MUD, 1989; "Voyageant de Port en Port à l'Initial `M' (Plateau de fruits de mer)." In French in AIRES, 1989; "Watching the Sand Shift in North Africa in 1939 (With Quotes from Rimbaud's A Season in Hell)." MISSISSIPPI MUD, 1989; "Weight of Dreams." Z MISCELLANEOUS, 1989; "Zelia's Visual Vocabulary (Red Truck, Mulberry Lipstick, Spanish Style New Orleans House)." MISSISSIPPI MUD, 1989; "The Bug." APALACHEE QUARTERLY, 1988; "Double Portrait of George Sand and Frédéric Chopin (After the Painting by Delacroix with Quotes from Sand's Consuelo and Chopin's Letters and Music)." GYPSY, 1988; "Fan Dance." THE NEW YORK QUARTERLY, 1988; "The Garage." ALTERNATIVE FICTION & POETRY, 1988; "Hot and Cold Plums (McLuhan Memories)." THE FLORIDA REVIEW, 1988; "Looking at Paris and the Moon in 1922 (With Phrases from Mina Loy's Lunar Guide)." QUARTERLY WEST, 1988; "Imperfections in Various Sizes (New York City)." COLORADO REVIEW, 1988; "Nina Tied to the Bed." SUB-TERRAIN, 1988; "Our Lady of the Miracles (Every Savior Ought To Be Saved)." THE FICTION REVIEW, 1988; "Painted Man." KALLIOPE, 1988; "Pink Silk Poem." REACTOR, 1988; "The Romance of Fainting (Blackout Cases)." APALACHEE QUARTERLY, 1988; "The Romance of Swooning (Our Lady of Troy, New York)." BLACK ICE, 1988; "Scenario for Marion and Gregory (Stories)." NEGATIVE CAPABILITY, 1988; "Sunday Brides." WISCONSIN REVIEW, 1988; "Valerie, Touring V's in Florida." SONORA REVIEW, 1988; "The Apprentice's Revenge, Being the True Account of a California Girl's Tribulations During the Middle Ages in Prussia (With Translations and Multiple Choices for the Reader)." APALACHEE QUARTERLY, 1987; "Black Lace/White Lace." SWIFT KICK, 1987; "Cat Scan of a Paper Doll." KALLIOPE, 1987; "Galileo's Ode to the Stars (Brides Traveling through National Geographic)." THE ARTS JOURNAL, l987; "Hurt Park." ASYLUM, 1987; "Indigo Love Affair (Dreams Never Grow Old)." BLACK ICE, 1987; "Nettie Tied to Car." PARAGRAPH, 1987; "Our Lady of the Lavender Mist (For Woman, Men and Reader)." SLIPSTREAM, 1987; "The Princess and Her Servant (Wide-Angle Photo of the Defunct Southeast Gainesville Depot)." KALLIOPE, 1987; "Romance of the Scallop." PULPSMITH, 1987; "Scenes with Balloons (Creating the Stilleto-Soft Environment)." BLACK ICE, 1987; "Suburban Night Work." PARAGRAPH, 1987; "Swimmers North Florida: Bed (After Jennifer Bartlett's Painting `Swimmers Atlanta: Boat')." WOODRIDER, 1987-88; "The Woman, Baseball and the Dolphin." BLACK ICE, 1987; "Bride Thrashing Thru History on Her Way to Silicon Valley." PHOEBUS, 1986; "Dreams of Snakes, Chocolate and Men." EXQUISITE CORPSE, 1986; "Hardcore Personals." CINCINNATI POETRY REVIEW, 1986; "Hard-Wired Bondage." CALIFORNIA STATE POETRY QUARTERLY, 1986; "Homecoming Parade." IMPETUS, 1986; "Nesting inthe Sands." COLUMBIA, 1986; "Only the Nude Can Redeem the Landscape (Picture Postcards from Daytona Beach, Florida)." COLUMBIA, 1986; "The Porsche Ballet." SALOME, 1986; "The R-Complex." EXQUISITE CORPSE, 1986; "The Romance of Citrus (Sectional Version)." EXQUISITE CORPSE, 1986; "The Romance of Mud." MISSISSIPPI MUD, 1986; "Satin Doll Dreams in Black, Yellow and Purple (For Man, Woman, Group and Audience)." DREAMWORKS, 1986; "Shirley, Skipping." THE FLORIDA REVIEW, 1986; "Supplicants and Shrines." IMAGE, 1986-87; "Torso." AMELIA, 1986; "The Touching of Our Forearms." YELLOW SILK, 1986; "Traveling through Ports that Begin with `M' (Seafood Medley)." MISSISSIPPI MUD, 1986; "A Wedding with Reservations (Silkscreen Print, 1/100)." CINCINNATI POETRY REVIEW, 1986; "The Artists' Model." LIPS, 1985; "8 mm Wedding, Spliced." VISIONS, 1985; "Her Dowry." THE FLORIDA REVIEW, 1985; "Launching Acculturation into the Firmament (Lingerie in Outer Space)." A FINE MADNESS, 1985; "Machine Scored Short Answer Poem, #2." POETRY MOTEL, 1985; "The Oranges of a 1980's Artemis Ephesia (Suburban Sculpture)." REBIRTH OF ARTEMIS, 1985; "The R-Complex." ELECTRUM, 1985; "Renée and Ben Waiting (After Suzanne Valadon's `The Blue Room')." DREAMWORKS, 1984-85; "The Romance of Imprinting (Cases of Bonding and Possession)." OYEZ REVIEW, 1985; "The Romance of Yielding." ELECTRUM, 1985; "This Bride Is Not an Expressway." RANDOM WEIRDNESS, 1985; "Black Lace/White Lace." THE NEW LAUREL REVIEW, 1984; "The Excitement of Ice." BLACK ICE, 1984; "Great Handshakes." THE PIEDMONT LITERARY REVIEW, 1984; "The Honeymoons." YELLOW SILK, 1984; "Hurricane! Alex!" BLACK ICE, 1984; "Minoan Incantation in the Courthouse Square." GRYPHON, 1984; "On Taking Your Daughter's Hand." THE PIEDMONT LITERARY REVIEW, 1984; "Scattered Fog (Caresses and Bruises Received in the Mist)." SLIPSTREAM, 1984; "Florida Bed with Flora." KALLIOPE, 1983; "The Oranges of a 1983 Artemis Ephesia (Suburban Sculpture)." GRYPHON, 1983; "Pre-frondescent Black Lace Bras." GRYPHON, 1983.

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WORKS ON AUDIOTAPE

  • "Lady of the Valentine (With Dangerous Suggestions)." GYPSY AUDIO ARTS REVIEW, #16, (El Paso, TX, 1991).

  • "R-Complex." SLIPSTREAM, #2, Niagara Falls, NY, 1988).

  • "The Romance of Citrus (Sectional Version)." SLIPSTREAM, #2, (Niagara Falls, NY, 1988).

  • "Our Lady of the Lavender Mist (For Woman, Men and Reader)." SLIPSTREAM, #1, (Niagara Falls, NY, 1987).

   
GALLERIES/MUSEUMS

  • BACKDROP GALLERY, Moving toward the Light: a Meditation on the Solstice. Web Project Exhibit for A Solstice Celebration. Atlanta, GA, December 20, 1997.

  • MAID IN CYBERSPACE, Red Mona shown at XX Web Art Festival, Exhibit in Montreal, Canada, May 31-June 1, 1997.

  • NEW VISION FESTIVAL, "Bigamy in the Desert," "Ocean Crossing: Nancy Cunard" and "Safara in the Beginning." "The Manipulated Word: Text & Image Florida/Brazil." South Florida Art Center, Miami, FL, November-December, 1996.

   
READINGS/LECTURES/PERFORMANCES

  • Panel Member, Modern Language Association Annual Convention. Panel Title: "The Same River Twice: Time Representation in Hypertext Literature." Paper Title: "Into the Light: Time in the Fluctuating Universe." Forthcoming, San Francisco, CA, December, 1998.

  • Panel Member, Society of Literature and Science, Annual Convention. Theme: "Thinking the Brain and Beyond." Gainesville, FL, October, 1998.

  • Presenter at the Annual Lawrence Durrell Society Conference, "Nancy Cunard." Cincinnati State University, Cincinnati, OH, May, 1998.

  • Reader and Lecturer at the Museum of Art, Portsmouth, Ohio, May, 1998.

  • Presenter at the Annual Film and Literature Conference. Theme: "Post Colonialism." Paper Title: "Ocean Crossing: Nancy Cunard." Florida State University, Tallahassee, January, 1998.

  • Panel Member, Society of Literature and Science, Annual Convention. "Apache Dancing with Html." Pittsburgh, PA, October, 1997.

  • Reader and Lecturer at The Manchester Public Library, Manchester, Ohio, August 22, 1997.

  • Reader and Lecturer at Portsmouth Museum, "Writers Live at the Library," Portsmouth, Ohio, August 21, 1997.

  • Lecturer on "The Participatory Age" and showing of Internet Art, Pratt School of Design, Brooklyn, NY, December, 1996.

  • Panel Member with Chella Courington and Marilyn Moriarity. West Georgia College, "International Conference on Despair and Desire in Literature and the Visual Arts, Including Cinema," "Framing a Text (Space-Time)", Atlanta, GA, October, 1996.

  • Panel Member, Pedagogy Panel with Brooke Bergan and Marilyn Moriarty, "Introducing a World View into the Creative Writing Classroom." Associated Writing Programs Annual Conference, Atlanta, GA, April, 1996.

  • Reader, West Georgia College, Foreign Language and Literature "International Conference on The Sacred and the Profane," Atlanta, GA, October, 1995.

  • Reader, The University of Toledo, The Canady Center, Toledo, OH, May, 1995.

  • Reader, La Fonderie, Sponsored by Frank, Montreuil, France, June, 1994.

  • Reader, Manchester Library, Guest of Bloody Twin Press and Manchester Public Library, Manchester, OH, July, 1994.

  • Reader, University of Florida Art Department Interdisciplinary Symposium, "Beauty Reconsidered," Harn Museum, Gainesville, Florida, Sept., 1994.

  • Reader, Stevens Institute of Technology, Department of Humanities Conference, "The New Freedoms: Celebrating Contemporary American and Russian Poetry," Hoboken, NJ, Apr., 1994.

  • Reader, Hollins College, Co-Sponsored by Art and English Departments, Roanoke, VA, Mar., 1994.

  • Reader, Zona Rosa Writers' Group, Savannah, GA, Mar., 1994.

  • Reader, Florida State University, 18th Annual Comparative Literature, Film Circle and School of Motion Picture, Television and Recording Arts Conference, "The Voice of the Voiceless," Tallahassee, FL, Jan., 1994.

  • Reader, State University of New York at Plattsburgh, Plattsburgh, NY, Dec., 1993.

  • Reader, Clinton Community College, Plattsburgh, NY, Dec., 1993.

  • Writer, Director, Producer, Reader, "Great Lakes Map-Induced Trance States," a Collaboration with Jill Burton and Lyda Toy, Atlantic Center for the Arts, New Smyrna Beach, FL, Sept., 1993.

  • Reader, Florida State University, 17th Annual Comparative Literature, Film Circle and The School of Motion Picture, Television and Recording Arts Conference, "Transgression and Authority in Literature and Film," Tallahassee, FL, Jan., l993.

  • Panel Member, Women Studies Conference, Third Florida Statewide Conference, "Bridging Gaps," University of Florida, Gainesville, FL, 1993.

  • List of readings, performances, lectures prior to 1993 available on request.

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ORGANIZATIONS

  • Listed in A Directory of American Poets and Fiction Writers, published by Poets and Writers, New York, NY.

  • Member of the Poetry Project, New York, NY.

  • Member of the Society for Literature and Science.

  • Member of the Lawrence Durrell Society.

  • Member of the Modern Language Association

  • Past Two-Term President and Special Projects Director, Gainesville Writers' Workshop, Inc., Gainesville, FL, 1982-95.

  • Member Gainesville Poets & Writers, Gainesville, Florida, current.

  • Member Board Florida Media Arts Society

  • Member Harn Museum's Citizens Advisory Committee

  • Co-designer with Karen Ilyse Katz of Internet Homepage for the Harn Museum, University of Florida, launched Winter, 1996.

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ACADEMIC POSITIONS

  • The University of Toledo, English Department, Toledo, Ohio, 1995, Assistant Professor, Writer-in-Residence. Courses taught

  • 301 Beginning Creative Writing (Fiction and Poetry Workshop), Winter, Spring.

  • 401 Intermediate Creative Writing (Fiction and Poetry Workshop), Winter.

  • 408 Fiction Writing (Workshop), Spring.

  • Independent Study: Graduate and Undergraduate

    •
   
Master's Level Courses Taken Relevant to
Creative Writing and Interarts:

  • Antioch University

    Advanced Poetry Workshop (at Florida State University)

    Twentieth Century French Literature*

    Nineteenth Century French Literature*

    Eighteenth Century French Literature*

    Seventeenth Century French Literature*

    The Collaborative Process

    Aural Realization of Text

    Direction of Performance Art

    *In Translation

  • University of Georgia

    Creative Thinking
  • Ohio State University

    Advanced Studies in TV-Radio

    Cinema Production

    The Creative Process in Telecommunications

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Areas of Specialization:

  • Mixed Genre Work: Strategies

  • Aural Interpretation of Text

  • The World Wide Web as a Creative Writing/Arts Medium

  • HTML for Artists and Writers

  • Impact of Twentieth Century Ideas on Creative Writing

  • Media and Text: Conjunctions

  • Experimental Women Artist

  • The Collaborative Process

  • Poetry and Fiction Workshops

  • Interarts

  • Performance Art

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PART 1 -->

Contact Christy Sheffield Sanford at christys@gnv.fdt.net.



Copyright © 1995, 1996, 1997, 1998. Updated November 30, 1998.

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