Ten Shakespeare Sonnets

Shakespeare is known to be one of, if not the greatest writer in English literature. Writers Immortal saught to display 10 curated sonnets that depict why Shakespeare has stood the test of time.

Sonnet 106

When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
Then, in the blazon of sweet beauty’s best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have express’d
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring;
And, for they look’d but with divining eyes,
They had not skill enough your worth to sing:
For we, which now behold these present days,
Had eyes to wonder, but lack tongues to praise.

Sonnet 138

When my love swears that she is made of truth
I do believe her, though I know she lies,
That she might think me some untutor’d youth,
Unlearned in the world’s false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false speaking tongue:
On both sides thus is simple truth suppress’d.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
O, love’s best habit is in seeming trust,
And age in love loves not to have years told:
Therefore I lie with her and she with me,
And in our faults by lies we flatter’d be.

Sonnet 29

When, in disgrace with fortune and men’s eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featur’d like him, like him with friends possess’d, Desiring this man’s art and that man’s scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven’s gate; For thy sweet love remember’d such wealth brings That then I scorn to change my state with kings.

Sonnet 98

From you have I been absent in the spring, When proud-pied April dress’d in all his trim Hath put a spirit of youth in every thing, That heavy Saturn laugh’d and leap’d with him. Yet nor the lays of birds nor the sweet smell Of different flowers in odour and in hue Could make me any summer’s story tell, Or from their proud lap pluck them where they grew; Nor did I wonder at the lily’s white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem’d it winter still, and, you away, As with your shadow I with these did play.

Sonnet 130

My mistress’ eyes are nothing like the sun; Coral is far more red than her lips’ red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask’d, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.

Sonnet 24

Mine eye hath play’d the painter and hath stell’d Thy beauty’s form in table of my heart; My body is the frame wherein ’tis held, And perspective it is the painter’s art. For through the painter must you see his skill, To find where your true image pictured lies; Which in my bosom’s shop is hanging still, That hath his windows glazed with thine eyes. Now see what good turns eyes for eyes have done: Mine eyes have drawn thy shape, and thine for me Are windows to my breast, where-through the sun Delights to peep, to gaze therein on thee; Yet eyes this cunning want to grace their art; They draw but what they see, know not the heart.

Sonnet 134

So, now I have confess’d that he is thine, And I myself am mortgaged to thy will, Myself I’ll forfeit, so that other mine Thou wilt restore, to be my comfort still: But thou wilt not, nor he will not be free, For thou art covetous and he is kind; He learn’d but surety-like to write for me Under that bond that him as fast doth bind. The statute of thy beauty thou wilt take, Thou usurer, that put’st forth all to use, And sue a friend came debtor for my sake; So him I lose through my unkind abuse. Him have I lost; thou hast both him and me: He pays the whole, and yet am I not free.

Sonnet 18

Shall I compare thee to a summer’s day? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date. Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed; And every fair from fair sometime declines, By chance, or nature’s changing course, untrimmed; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st, Nor shall death brag thou wand’rest in his shade, When in eternal lines to Time thou grow’st. So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.

Sonnet 116

Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no; it is an ever-fixed mark, That looks on tempests, and is never shaken; It is the star to every wandering bark, Whose worth’s unknown, although his height be taken. Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.

Sonnet 104

To me, fair friend, you never can be old, For as you were, when first your eye I ey’d, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turn’d In process of the seasons have I seen, Three April perfumes in three hot Junes burn’d, Since first I saw you fresh, which yet are green. Ah! yet doth beauty, like a dial-hand, Steal from his figure and no pace perceiv’d; So your sweet hue, which methinks still doth stand, Hath motion and mine eye may be deceiv’d: For fear of which, hear this, thou age unbred; Ere you were born, was beauty’s summer dead.

William Shakespeare

A portrait of William Shakespeare known as the Chandos portrait.
Chandos Portrait of William Shakespeare
Source: Wikimedia Commons

About Shakespeare

William Shakespeare (bapt. 26 April 1564 – 23 April 1616) was an English playwright, poet and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.

More Works

Source: Wikipedia