I
Among twenty snowy mountains,The only moving thing
Was the eye of the blackbird.
II
I was of three minds,Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.It was a small part of the pantomime.
IV
A man and a womanAre one.
A man and a woman and a blackbird Are one.
V
I do not know which to prefer,The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long windowWith barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accentsAnd lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,It marked the edge
Of one of many circles.
X
At the sight of blackbirdsFlying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over ConnecticutIn a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.The blackbird must be flying.
XIII
It was evening all afternoon.It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
Mouse over me
Stevens's first book of poetry, a volume of rococo inventiveness titled Harmonium, was published in 1923. He produced two more major books of poetry during the 1920s and 1930s and three more in the 1940s. He received the annual National Book Award for Poetry twice, in 1951 for The Auroras of Autumn and in 1955 for Collected Poems.