Week 11 — Video Essay Editing Lab

This week is focused on assembling your video essay: bringing your script, voice, images, and sounds into the timeline and discovering the essay through editing. Rather than executing a finished plan in a linear way, you will build meaning through sequencing, juxtaposition, rhythm, and revision.

Editing is not post-production—it is where the essay is written.

For This Week

There is no blog post due this week. Class time will focus on building an assembly edit and developing a rough cut workflow.

In-Class Editing Lab Goal

By the end of class, you should have:

• A working assembly timeline (not polished)
• At least one voice track (temp or final)
• Basic text (title cards and/or lower thirds)
• A first pass at sound (levels, room tone, music placeholders)
• A clear list of what you still need to record, find, or rewrite

Class Notes

Editing as Thinking

Video essays are written through:

• Shot order
• Duration
• Repetition and omission
• Sound-image relationships
• Patterns that emerge over time

Expect to rewrite your voice-over as the edit takes shape. The strongest essays often discover their argument in the timeline.

Assembly First: Non-Linear Workflow

• Start by placing your voice-over or text beats into the timeline (even if temporary).
• Build your essay in chunks. Think in sections, not a straight line.
• Use placeholders for missing images or sounds so you can keep moving.
• Let the edit suggest what to cut, what to repeat, what to slow down, and what to remove.

Weaving Image, Sound, Voice, and Text

In your rough cut, aim to begin weaving these layers:

• Image: Your primary visual track (A-roll, B-roll, archival, stills)
• Voice-over: The guiding voice (recorded or temp)
• Text: Titles, transitions, emphasis, names/places (lower thirds)
• Sound: Room tone, ambience, effects, music, silence

A strong video essay does not simply illustrate narration. It creates meaning through tension and resonance between layers.

Visual Evidence

In documentaries, fiction, and film essays, images function as evidence.

• A-roll / B-roll relationships
• B-roll as primary visual argument
• Visual evidence as dramatization or reenactment
• Visual evidence as metaphor
• Visual evidence in the essay film

Editing as Argument

Editing choices make claims:

• What comes first?
• What is repeated?
• What is left out?
• What happens when sound contradicts image?

An essay can be:

• Associational
• Reflective
• Analytical
• Poetic
• Contradictory

Adobe Premiere — Video Essay Assembly Lab

Nested Sequences (Editing in Sections)

Use nested sequences to organize your essay into manageable parts:

• Create a sequence for each section (Intro / Part 1 / Part 2 / Ending)
• Edit each section as its own mini-film
• Drag those sequences into a master sequence for overall pacing
• This keeps your timeline cleaner and makes large changes easier

Recording Voice-Over in Premiere

• Create a dedicated audio track for voice-over
• Record short takes section-by-section
• Do quick clean-up: levels, fades, and silence gaps
• Leave room for revision—treat your first VO as a draft

Titles, Lower Thirds, and Text Overlays

• Use title cards to mark sections or shifts in thought
• Use lower thirds for names, places, dates, sources, or context
• Keep typography simple and readable; be consistent across the essay
• Use text to add clarity or tension—not to overload the viewer

Timeline & Editing Shortcuts

• Ripple Delete: Right-click gap → Ripple Delete
• Delete Clip with Ripple: Option + Delete (Mac), Alt + Delete (Windows)
• Select All: Cmd / Ctrl + A
• Zoom In / Out: + / -

Playback & Navigation

• Play / Stop: Spacebar
• Step Forward / Back: Arrow keys
• J / K / L: Shuttle playback
• Go to Beginning / End: Home / End (or Fn + arrows)

Tools

• Selection: V
• Razor: C
• Hand: H
• Text: T
• Pen: P

Optional AI Tools (Use as Needed)

AI tools are optional. They can help you prototype and refine, but they should support your essay rather than replace your thinking.

AI Voice (ElevenLabs)

• Use AI voice if it fits your concept (or if you prefer not to record your own voice)
• Keep it intentional: choose a tone and pacing that matches your visuals
• Rewrite VO text as you edit—small changes in wording can dramatically improve flow
• If you use AI voice, credit it in your end credits

AI Music (Suno) and Music Strategy

• Music should support rhythm and mood without overpowering the voice
• Use AI music for drafts, experiments, or final pieces if it fits your concept
• Keep track of what you generate and label versions clearly
• Always include music credits at the end

AI Images / Clips (Optional)

• Use generated images or clips to create metaphor, abstraction, or illustrative cutaways
• Keep AI visuals stylistically consistent with the rest of the essay when possible
• Don’t rely on AI as filler—use it where it adds meaning
• Credit AI tools used in the end credits

Working with Stills, Graphics, and Archival Footage

Stills & Graphics

• Use still images to provide evidence, context, or contrast
• Make stills cinematic: scale, pan, crop, duration, and transitions matter
• Use captions or source labels when needed

Archival / Public Domain Video

• Use archival or public-domain footage as evidence, texture, or historical context
• Make sure the source is allowed and credited properly
• Consider how archival footage changes meaning when paired with your voice or text

Public Domain Music (Alternative to AI Music)

• Look for public-domain music or properly licensed tracks
• Keep track of where music comes from and include credits
• Mix carefully: voice should stay intelligible

Tools & Resources

• ElevenLabs (AI voice generation)
• Suno (AI music generation)
• Internet Archive: Moving Image Archive (archival / public domain video)
• Library of Congress Collections (historic photos, audio, film materials)
• Wikimedia Commons (stills, graphics, some video)
• Free Music Archive (music with clear licenses)
• Incompetech (royalty-free music with attribution info)
• Creative Commons Search (find CC-licensed media)
• Pexels Video (free stock video)
• Pixabay Video (free stock video)

Rough Cut Checklist

• Does your essay have a clear beginning, middle, and ending (even loosely)?
• Does the pacing feel intentional? Where does it drag?
• Is your voice-over understandable and appropriately paced?
• Do images add meaning beyond illustrating the words?
• Is sound supporting mood and clarity (not cluttering the piece)?
• Do you need more visuals, more silence, or less explanation?

Embedded Examples