Week 3 — Time Frames

To Do This Week

Read:

Time Frames by Scott McCloud

Prepare for Discussion sessions:

The art of cinema involves the manipulation of the viewer’s experience of time. The duration of a shot is a form of temporal framing. In Time Frames, McCloud describes how comics construct time through panels.

Consider the framed panel in a comic as a cinema shot. Wider or longer panels are like long takes, while smaller panels function like short-duration shots.

The key difference is that comics offer a spatial time-map— multiple moments visible at once—while cinema unfolds sequentially as an ever-present “now.”

What in McCloud’s visual essay inspires you to think differently about time in digital cinema, or analyze a film scene that creatively manipulates time.


Class

In-class Space Sculpting

Scott McCloud: Time Frames

Rules of Continuity

Montage Types (Eisenstein

Montage Visual

Alternating expanded and condensed time

160 Characters by Victoria Mapplebeck

Long Take

Complex Narrative Time

Citizen Kane – Breakfast Table Montage

Narrative Context:
This montage occurs after Charles Foster Kane’s marriage to Emily Norton begins to deteriorate. What begins as intimacy and political alliance gradually erodes into emotional distance and hostility. The sequence compresses years of married life into a few minutes, using repeated breakfast table setups to show the shifting dynamics of their relationship.

Parasite – Peach Allergy Sequence

Narrative Context:
The Kim family is executing a plan to remove the Park family’s longtime housekeeper in order to replace her with the father. After discovering she has a severe peach allergy, they fabricate evidence that she has tuberculosis, manipulating events so that she will be fired.

The Godfather – Baptism and Assassinations

Narrative Context:
Michael Corleone stands as godfather at his nephew’s baptism while his rivals are assassinated across the city. As he renounces Satan in the church ceremony, violence unfolds simultaneously elsewhere, consolidating his power as the new head of the family.

The Faithful Heart by Jean Epstein (1923)

Loops

Exact Repetition

Short-term memory ≈ 20 seconds

Basketball Loop

Semi-Static (Infinite Loop)

Cinemagraph

Complex Loops

Variable duration of each shot.

fookedonhonix
fookedonhonix

Loops on Social Platforms

Example: short-form transition loops.

Loops in New Media

Movement and interactivity.

FilmText, by Mark Amerika
Zoe Beloff

Simultaneous Loops

Spatial montage = “coexisting temporalities” (Lev Manovich)

Flora petrinsularis by Jean-Louis Boissier (1993)
Interactive Cinema, by Uda Atsuko — http://www.iamas.ac.jp/~makura/index_old.html

Sequential Loops

Eric Loyer calls this “temporal polyrhythms”.

The temporal map of the comic’s inter-panel progression with the various nested intra-panel movements.

Comic loop example: nested motion across panels.
“Our Toyota Was Fantastic” — Gilles Roussel (Boulet)
Interactive Cinema, by Uda Atsuko — http://www.iamas.ac.jp/~makura/index_old.html

Nested Loops

An asynchronous assemblage of nested loops offers a picture of fractal time:

Simultaneous temporalities of different scales, rhythms, and durations.

Cinemagraphs

Portion of the image is in movement.


In-Class Loop Activity

In groups of 2-3, you will create 2 or 3 rapid prototype loops. Each loop will be 6–8 seconds (4-6 shots, 1-3 seconds for each) and repeated 3 times in the timeline before export.

Choose of mix and match from the following categories:

  1. Continuity loop
    Film a simple action that can reset. Focus on maintaining spatial unity and smooth continuity.
    • Examples: sitting and standing, opening and closing a door, picking up and placing an object.
    • Tip: Use match on action or a consistent camera position.
  2. Montage loop
    Film 4–6 short shots (about 1–2 seconds each). Edit them into a rhythmic pattern and repeat the pattern.
    • Examples: hands, faces, objects, textures, short movements.
    • Tip: Build contrast (close/wide, dark/bright, fast/slow).
  3. Infinite loop
    Film something cyclical and edit so the reset disappears. The end must connect seamlessly back to the start.
    • Examples: walking past the same background, rotating object, repeated hand gesture.
    • Tip: Match direction, speed, and framing at the loop point.
  4. Narrative loop (Beginning → Middle → End)
    Create a tiny story arc in 6–8 seconds. The ending must feed directly back into the beginning.
    • Examples: try to leave → blocked → returns; reaches for object → fails → resets.
    • Tip: The loop should suggest entrapment, ritual, or inevitability.

Assignment: Loops (5%)

DUE March 2nd

Objective:
Create three short video loops that explore different experiences of time through editing and repetition.

Length Requirements:

You Must Create a loop for each category:

1. Continuity Loop

Create a loop that maintains spatial and temporal unity. The action should feel logically continuous even as it repeats. The viewer should initially experience forward movement before noticing repetition.

You may use:

2. Montage Loop

Construct a loop using contrast and editing rhythm. This loop should emphasize collision, rhythm, or fragmentation rather than smooth continuity. Repetition should intensify the structure.

Try contrasts like:

3. Infinite (Perfect) Loop

Create a loop that appears seamless and endless. The final frame must connect visually and rhythmically to the first frame. Avoid visible jump cuts, obvious resets, or abrupt audio breaks.

Your loop should feel like:

Editing Requirements

Evaluation Criteria