Duel (1971) Railroad Crossing
In the railroad crossing scene from Duel (1972), several editing techniques work together to create tension and keep the action easy to follow. The 180-degree rule keeps the viewer oriented by maintaining the positions of David Mann’s car and the truck on either side of the scene. To avoid jarring transitions, the camera moves at least 30 degrees between shots, such as when it cuts from a wide shot of the crossing to a close-up of Mann’s face or hands. These shifts keep the action smooth and focused on his anxiety. We also see the scene from Mann’s point of view, which helps us feel his fear as the truck and train approach.
As the camera cuts back and forth between Mann and the truck, it emphasizes the tension between them. The train blocks the vehicles at points, leaving the frame empty for a moment, which adds suspense. The editing also crosscuts between Mann and the oncoming train, building urgency. Tight close-ups of his face and hands show his desperation, focusing the viewer on his reactions. The sound of the train gets louder as it nears, adding to the tension, while the silence after it passes highlights the close call. By controlling what we see and hear, the editing keeps us engaged and builds the danger as the scene unfolds.