Sunday Paper – Interview Rough Cut (B-roll only)
One Minute Short – Horror Brainstorming Ideas
Our one-minute video follows a college student who becomes the target of a terrifying, chainsaw-wielding clown while heading home from school. Desperately trying to flee, she stumbles and meets a grim fate. But just as all seems lost, she wakes up to the sound of her alarm clock, relieved to find it was only a nightmare—or so she thinks. The horrifying realization dawns: the clown from her dream is now in her classroom with her.
Our group will need two actors to play the main character and the clown, a clown costume, clown dolls, a toy chainsaw, and camera equipment. We plan to shoot on WSUV campus.
View PostEndless Tune – One Minute Short Final
Florida’s Natural – Final
For my final project, I decided to tell a story about an everyday problem—only with a comedic twist by exaggerating it just a little.
I had difficulty coming up with a story to do. As finals week loomed closer, I found my creativity waning, replaced by the stress and exhaustion of burnout—until an unexpected moment sparked an idea.
When I was walking through the juice section of the store, looking to replenish my beverage of choice, the idea suddenly came to mind.
The story is about having a difficult, inconvenient time trying to find that delicious orange juice, as most grocery stores don’t carry it anymore. :'(
View PostFinal Project – Florida’s Natural (Rough Cut)
Not finished putting it together. I will also add my own “store” music and sound effects!
The story is about a character searching for a grocery store product. The problem they are facing is that it seems no store has what they are looking for.
View PostEndless Tune – One Minute Short ROUGH DRAFT
Custom audio and end credits still needed!
With Victoria Clark, Jaxon Stephens and Brent Ocampo.
View PostGenerated Terrors – Compositing and Effects
Amish or English? – Visual Evidence Blog
Job Interview and Car Crash Scenes.
In this clip of Devil’s Playground, Faron is trying to win back Emma and trying to see if he can make it on his own before going back and joining the church. Visual evidence is shown in the job interview and car crash scenes. First, the job interview scene is shown, where Faron is at the house of a family that is hiring for a landscaping business. In the interview they specifically ask if has his own means of transportation, and he answers “yeah, I’ve got a car”. Because he has his own car, they ask him to start as soon as possible. The next scenes then show Faron’s car busted in the middle of the road with the door wide open, and then Faron on the sidewalk with blood running down his forehead with an officer talking to him and sirens blaring in the background. While the transition of scenes seems jarring, it is important for the audience to see the visual evidence of Faron’s car crash. If they had only interviewed Faron about the car crash, it would not have had as great of an emotional impact on the audience. Because of the visual evidence, the audience can feel how Faron was feeling because of the crash, which is “How is he going to make it to his job? How is he going to make it on his own now?”. Visual evidence makes the story more real for the audience and allows them to have a sense of being in the “shoes” of the people being interviewed. Though as an English Faron has a car as transportation, he has to worry about car accidents and repairs. He must also worry about finding a means to make money, as no one is guaranteed a job in the English world. If Faron were part of the Amish, he would not have a car, but he would not need to worry about accidents and repairs, and he would be guaranteed a job.
View PostCinema Vibes – Framing
Sick Day – Continuity
Digital Effects – Blog Post
In How Not to be Seen by Hito Steyerl, a green screen is used to not only change the surroundings of the female character but to transport the viewer to a world that the cinematographer isn’t actually in. The green screen is used to change the surroundings of the character and objects she has, going back and forth from the studio that the character is in, and a world created by the green screen. The way the green screen is used challenges realism of traditional cinema, specifically when they put green paint on the character which makes parts of her face one with the background, and when they have an environment and a “green screen” in it, which makes the environment seem “real” and the green screen fake, but in actuality it is all still green screen. These effects make the viewer have a sense of an altered reality and makes them second guess which representation is the reality.
In Whispering Pines (series) by Shana Moulton, A green screen is used in a cut out shape and a line drawn off center which shows two different perspectives. At first it seems that the second perspective represents what the character is visually thinking, but then this perspective shows different environments. Showing two different perspectives at the same time alters traditional cinema as the viewer does not know which perspective is the real reality for the character. By showing two different perspectives side by side at the same time, the viewer must change their focus back and forth from both representations to try and understand what is happening.
View PostDiegetic Window Blog
Routine – Montage
Nurses Documentary Blog
The story of the documentary will be about the everyday lives of nurses during a pandemic, and the unique struggles they face by being a medical worker. I would create interview questions asking them about if/how their jobs as nurses have changed since the pandemic hit, and then I would ask them about if/how their personal lives have changed due to the pandemic and being an essential worker. For example, the information that I am trying to get at is if they need to take extra precautions when they get home from working at the hospital as to not get their household sick. Do they quarantine themselves away from their loved ones? Did they use to do their own shopping but now they have someone else do it for them? Has someone in their household gotten sick, and do they feel guilty about perhaps being the cause? Have they had a loved one die from COVID, but they were unable to see them due to being an essential worker?
Due to not being allowed at their workplace with a camera, some B-roll will be taken that is related to the narrative but not essential. As stated from the reading, “B-roll illustrates talk” so the B-roll will be in conjunction with the nurses talking about their pandemic routine. The B-roll is as follows:
- B-roll of them getting ready in the morning and leaving from their house. The footage will show their routine, either normal or abnormal. This will be in conjunction with them talking about their routine. This footage highlights how even though people may only see them a few times per year, they are people with individual lives of their own. This footage may highlight precautions they take while being home with loved ones, or perhaps that they take a long time getting ready to work at a hospital.
- Time-lapse footage of patients coming and going to and from the hospital, hopefully getting some shots of long lines and wait times. This view will go from a bird’s eye view, showing people arrive in their cars and walking to and from the building, then also a shot in front of the building of people going in and out. This footage, depending on what is caught, may show the demand on hospitals and their workers.
While I am personally not allowed in with a camera, I could ask the nurses I am interviewing if they would be willing to vlog updates about their shift, the focus being on their work conditions and what they have to deal with. There will not be focus on patients (as this is probably the reason why I am not allowed inside with a camera). This will be my only “evidence” to show their working conditions, and if they match with what they tell me. As stated in the reading “…shoot people doing what they’re do… Plan the location so that it becomes part of the evidence for the scene”. It’s important to show them at the location they talk about so that it becomes “real” for the audience.
The following footage will be them going home, and what they do at home. For example, their interactions with their family, how they deal with being a parent or partner, how they balance work/life or perhaps a lack of balance, the boundaries they set with other people in their household, and any precautions they take when living with other people while being a hospital worker. The footage captured would widely depend, but the point of this footage is being visual evidence for how the pandemic has impacted the everyday lives of nurses. Visual evidence is important because it shows the audience the truth of the situation, whether if what is happening matches with what is being told, and to give the audience a real sense of the reality.
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Shameless Framing
What is happening visually?
Framing and editing are creating a busy, chaotic scene. Showing minor interactions like the two boys fighting over the bathroom shows that the family tries to manage with multiple people living in a single home.
How does continuity editing help narrate the family dynamics?
The continuity editing following the main character and then the behavior from the rest of the family members shows the roles they all play. Following the main character and the tasks she is doing shows that she is the main caretaker of the family. Showing the rest of the family members gathering at the dining table eating breakfast together shows there is no one else that has an equal role to the main character. Showing the box for electric bill money being passed around to all of the kids and them handing over cash with no question shows that they all have a means of making their own money and pitching in to the bills of the home.
What are the visual anchors within the chaos of movements?
The anchors in this scene changes at different points in the scene, but they are the main character, the electric bill and the milk jug. In the beginning it is the main character as we follow her as she gets ready and wakes everyone else up, as well as taking care of tasks. The electric bill money box comes from the main character and moves through the rest of the characters as well as the milk jug.
Duel: An Intense Scene – Continuity Edits and Scene Build
In this scene, Steven Spielberg uses many continuity edits to build the scene and create tension.
The beginning of the scene uses the 180-degree rule by staying on the left side of the subjects with the subject’s facing camera left as they are driving. The scene uses longer cuts to create a feeling of uncertainty about the truck drivers next moves.
One shot reverse shot is used for the dialogue between David and the gas attendant before he moves on to the phone booth to call the police. An insert shot shows David’s surroundings while he’s in the booth which gives a sense of vulnerability.
Cross cutting is used to start building tension by showing the action of David calling the police while the truck driver makes his way towards David. Shorter and more rapid cut scenes are then used which starts to build tension.
During a shot of David on the phone, audio from the last scene of the truck is continued to be used to imply that the truck is approaching David which adds suspense.
Match on action shots are used to show the action taking place when the truck runs over the telephone pole and the animal tanks. Insert shots are used to show the dangerous animals now surrounding David which adds to the chaos of the scene, as well as the sad reaction from the gas attendee. More match on action shots are used to show David trying to deter the driver by throwing a tank at him, and then David making his way to his car.

Poor Things – Screen Grab Shots
Movie: Poor Things
Scene: Dancing scene
This is a bit of a long scene so I will be reviewing starting at the 0:40s mark.
Frame 1: Long Shot
Frame 2: Medium Long Shot
Frame 3: Extreme Long Shot
Frame 4: Extreme Long Shot
Frame 5: Long Shot
Frame 6: Medium Long Shot
Frame 7: Medium Shot – bit of an upward view
Frame 8: Long Shot – bit of an upward view
Frame 9: Medium Shot – bit of an upward view
Frame 10: Medium Shot
Frame 11: Extreme Long Shot
Frame 12: Medium Shot
Frame 13: Extreme – Extreme Long Shot
Frame 14: Medium Long Shot
Frame 15: Long Shot
Frame 16: Long Shot
Frame 17: Long Shot
Frame 18: Long Shot
Frame 19: Long Shot
Frame 20: Medium Shot
Frame 21: Long Shot
Frame 22: Long Shot
While this scene only uses about 4 different types of frames, the editing and back and forth is effective in showcasing an unspoken relationship between the two characters.
The extreme long shots showcase the “norms” of society and comparison between the behaviors of the two characters. The cuts to these shots highlight the characters existence amongst a society.
The long shots show the characters body taking up space in their surroundings and the distinction between the two characters behaviors. The female protagonist’s (Bella) behavior is as if she is letting the rhythm of the music set her behavior rather than the surrounding dancers. She is not conforming to the norms of the surrounding characters, but she is eager to join them. The scenes when she is the main subject in the shot is most obvious of this behavior. The scenes when the male antagonist (Duncan) is dancing with her shows his efforts in trying to conform her behaviors to those around her. The scenes when he comes and takes her as a partner are most obvious of this behavior.
The medium long shots are used as another perspective, although a bit more personal, of comparing the two characters to the rest of the dancers. These shots help with continuing the scene and flow between frames.
The medium shots are used to highlight what seems to be a fight between the two characters for control. This is a closer view isolates the two characters from the rest of the dancers. Bella wants to continue her independent behavior while Duncan wants to control her to conform.
View PostIntroduction
Hello class,
I am currently exploring different creative technological outlets. I have taken a photography class in the past and am interested in learning more about cinema. Also, I feel that the current culture heavily relies on video to communicate and interact, so understanding the basics of film will be beneficial in understanding how to effectively communicate in a large scale.
Here are just a few of my favorite videos from an independent creator, Jack Stauber
Seltzer
Five
Take Tooth?
I like Jack Stauber’s videos because they are simple yet very effective. Their topics range from an obscure concept to an everyday situation, they are short, they use simple dialogue and scenes and are in a unique style. I would like to pursue this simple kind of style in this class.
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