Author: Evan Renfro
In Class Exercise: Business Plan
Visual #2
Post Horizon Visual #2
Final Project Inspiration
For my project, I want to bring together elements that we’ve worked on throughout the semester. I definitely want to include video, images, and music. I’ve struggled with getting some precise results from AI, and may want to focus on how to get better and better at prompting as part of my project.
I may want to make a music video. I haven’t pushed the boundaries enough on music and video, and would like to explore those channels more.
My essay will probably follow that same sort of guiding light, focusing on how AI music and videos are getting better and how to use them more efficiently in a workflow.
AI Tower Defense Game
I worked with Joeseph and Vincent for this project.
I contributed the tower designs and the map!
Questions for Toby Roberts
In the 10 years you’ve been President and COO of Happy Finish, how has the process of integrating AI into the company’s overall workflow gone? I would imagine it didn’t all happen at once.
How do you establish your company in this somewhat new field of really leaning into AI? How has your company grown to work with some of the biggest brands in the world?
HTML World Exhibit
AI Game Dev
I would love to work on a game that involves some aspects of exploration, discovery, and visual storytelling. Perhaps with some puzzle elements thrown in as well. Ideally, I would be a designer for things like game assets and backgrounds.
Though reading through the other posts for today, tower defense also rocks. I did love me some Bloons Tower Defense as a kid. I’m happy to work in a pool of different styles and genres.
AI Generative Websites
Interest in Generated Art
Blog Prompt: Read the article by Amy Goodchild and discuss some of the techniques that interests you. In class we will play with both generative visual art as well as generative literature or language art. Both require the use of JavaScript.
That article was really interesting to me! I was especially captivated by her interactive p5.js Web Editor where you can play with pixels.
I like that Goodchild opened up the definition of ‘generative art’. Going into this article, I certainly had an expectation of what it would cover. Bringing in things like the natural process of petri dish growth and algorithms based on real life made the idea of what generative art is truly shift for me.
Her work with simulated ecosystems also intrigued me. I definitely associate the idea of generative art with the sometimes-interesting line/node based art. But it’s so much more than that. The idea of introducing some human elements (like following instructions) was also pretty cool.
Exploring these techniques, especially the blending of natural processes with computational methods, opens up a wide spectrum of possibilities for both visual and language arts. The concept of using randomness and procedural generation can significantly enhance what people are able to produce. For language arts, implementing algorithms that mimic natural systems or utilize rule-based constructs can produce fascinating narratives or poems that resonate with the unpredictability and complexity of real life. Engaging with JavaScript to bring these ideas to life in class will not only be educational but also deeply enriching, allowing us to bridge the gap between technology and art in innovative ways.
Website Blog
I feel like this is the most specificity needed for an AI output so far. It’s tough to get exactly what you want, or anything with more style or creativity. I didn’t get very far with my exercise because of roadblocks.
But that’s just me. I am excited to see where this goes in the hands of people who love web development. Being able to wrangle in ChatGPT to do what you want is its own skill, undoubtedly. I see concerns, like with any use of AI, when it directly produces the end result without and human touch or creativity.
Post Horizon (AI Project)
Creating this was interesting! There wasn’t much of a struggle with ChatGPT for stylization. It mostly got that right. The difficulty came with getting the content of images right. Especially with the last image in the video (the hands). Getting decent-looking hands wasn’t the problem, but instead creating a clear distinction between the two sides of the image. It got color and content flipped several times. The narration audio definitely needed some enhancement wit reverb. I’d love to see more tools like echo, reverb, and distortion included in voice generation in the future.
Celestial Echoes
~ with Tiffany Duran and Toby Chambers ~
‘Post Horizon’ Video
Blog Prompt: Post a paragraph summary description of your story/moment that you will turn into a series of shots and then compile into a video sequence. Write another paragraph that describes the visual style and what you imagine the soundtrack to include: voices, sound effects, music.
I want to work on creating the two distinct styles I have going in my world. The vibrant, shiny, technological world of the AI overlords and their wealthy keepers is one. Below them are the coders, kept in dingy dens with warm orange lighting and computers. I don’t know if there’s a specific moment I want to capture, but I certainly want to showcase these disparate ways of life. I believe I’ll want to show them off in an ‘every other’ sequence to showcase their differences.
I’ve injected my gpt with a small stylistic guide. Included in that is the directorial style of the Safdie Brothers (directors of Good Time and Uncut Gems). I believe their elements of colorful lighting and character close ups will help tell my story. The soundtracks will definitely include music. I think the music should be a bit sparse and atmospheric. Neither of these places have a lot of energy going on. The sound effects for the coders will probably be more old-world technology focused, whirring and typing and the like. The sfx for the keepers will be more futuristic sounding, with things like soft dings and whooshes.
The AI Landscape of Cinema
Blog Prompt: What are your thoughts on the risks and opportunities of AI Cinema? What do these tools mean for the future of Hollywood entertainment and for independent artists working in the industry?
The article from The Conversation caused some concern for the future here, for sure. It raised questions of AI replacement for human workers and systems, as well as the similarly hot-button issue of using the likeness of dead celebrities.
That’s pretty scary. As a whole, the article spells a potential dystopian future for the movie industry. This is a focused approach to the concept of AI like we’ve seen in the past. And it works. Nobody wants a future where humans are out of work in an entire industry in favor of computers.
We should approach AI like any other tool. It isn’t the end result, but it can be a springboard or collaborator.
Pulling from The Guardian, Keanu Reeves was smart to get ahead of the curve and ask for untouched performances in his contracts. People who have died did not get that liberty, like Bourdain, Warhol, and Regina.
The hypothetical uncanny Casablanca sequel is also a cause for pause. We’re already seeing a lesser version of this in the current film landscape. The nostalgia-fueled sequel land we’re living in is the perfect source for AI, because movies already feel like uninspired bait for reliving the good old days. Especially ‘live-action remakes’.
Celestial Echoes
Announcing Celestial Echoes‘ debut album:
Between the Binary Stars
Track Listing: