Carrick – Blog Post 3 (Time Frames)

Scott McCloud’s discussion of time in comics gives an interesting lens for readers when it comes to temporal manipulation and what actually goes on in-between panels in the medium. While reading through McCloud’s visual essay I noticed that everything they talked about I already knew in the back of my mind. It’s something that comes naturally when reading a well-made comic that you never really think about what actually is going on. This concept is also used in digital cinema, though in its own variation due to the medium’s differences with comics. When comes to examples of the concept in cinema, my mind instantly goes to some of Nolan’s works.

In Inception, time operates on multiple levels within dreams, with each deeper dream state moving at a slower pace than the one above it. This creates a layered narrative where different timelines unfold simultaneously, much like how a comic page displays multiple moments at once. The film’s climax, intercutting between various dream levels, forces the audience to track multiple temporalities, echoing McCloud’s idea of fragmented yet interconnected time perception.

Memento, a personal favorite of mine, takes a different approach by reversing traditional cinematic time. The film’s structure alternates between two timelines—one moving forward in chronological order and another unfolding in reverse. This creates a disorienting yet compelling experience, as viewers must piece together the narrative much like reading comic panels out of sequence. The film’s manipulation of time challenges the audience’s perception of causality, making it an example of cinema mirroring the nonlinear possibilities of comics.

Ultimately, McCloud’s insights on temporal manipulation in comics provide a useful framework for understanding how digital cinema can experiment with time. Through innovative editing, framing, and sequencing, films like Inception and Memento reshape traditional storytelling, offering audiences new ways to experience time on screen.

Seeing how this blog post is not about a specific movie, I’ll leave you all with a special double letterboxd review segment. My old ratings for Inception & Memento! Note: I haven’t watched either in a few years now so the letterboxd ratings are lacking 🙁

– Carrick
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Inception
🧡
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Memento
⭐⭐⭐⭐ 🧡
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Carrick – Blog Post 2 (Brumes d’automne)

Through drastically changed images in which nature was losing its density and unity. This is how Kirsanoff described the intension of the film. I, however, simply say that it’s the story of someone spending the day in lalaland.

This is a tough rate for me because as I watched this short I found myself constantly appreciating small things about the films craft, but that’s it, just appreciating. I couldn’t get invested into anything it was trying to portray, nothing was evoked and I have a theories as to why.

The first thing I noticed as soon the grey skies entered frame was the music. Film of this era always has this kind music, the same feeling to them, and personally, I don’t like it. It feels mismatched, all these somber and dreamlike frames are being played with these high notes that just make me think of stuff completely irrelevant emotionally which lessens the impact of what’s being shown. Now, this is a clear personal issue that isn’t the films’ fault. I’m sure it’s because of how overtime these old films and that kind of music have been portrayed in recent media.

The editing or montage for this film, just didn’t hit. Like I briefly mentioned earlier, the technical side of this is great for its time. There are moments of her dissociating while looking out to the lake that I thought was brilliantly made clear through lens. I could appreciate little techniques like that because it was the story of someone just daydreaming and I’ve had many of those days myself. I noticed similarities to the state of mind between my days and this due to great creative use of the camera. Yet, when it’s all stitched together, I was left feeling . . . nothing. And as of right now I don’t have much for an answer as to why, just leads.

I’ll leave it there for now and as always leave everyone with my letterboxd review because why not.

– Carrick
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Autumn Mists
⭐⭐
Technically and creatively great. I saw
the vision and for its era it did a
great job. Just couldn’t get invested.
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