DTC 491 | Advanced Digital Cinema
Spring 2024
Class Time: T 5:45pm-8:30pm
Location: VMMC 111
Instructor: Will Luers
Phone: 503-975-3254
Email: wluers@wsu.edu
Office Hours: T 4:30pm-5:30pm in the Digs or on Zoom most days after 12pm
NOTE: All matters associated with this course are subject to change. Any changes will be communicated to students.
COURSE OBJECTIVE
In DTC 491 / DIGITAL CINEMA, students will explore the theories, techniques, and aesthetic possibilities of cinema in the age of digital media. Through reading, viewing and discussing canonical works and creating short video assignments, students will work towards an innovative final project. Students will be exposed to a range of digital cinema styles and approaches – video essays, loops, “webisodes”, cinematic games, hyperlinked video, video installation and database cinema-–and will ultimately choose the approach that fits best with their creative goals.
The course will give students experience in working with the digital camera, editing with Adobe Premiere, sound design, developing storyboards for linear and nonlinear structures, integrating video on a webpage and preparing and distributing video for the web. This course will approach video production less as a set of specialized technical skills using high-end equipment, and more as a set of composition practices using commonly used tools. Students are encouraged to use their own (or borrowed) digital cameras, phones or hybrid devices that they can carry with them everywhere. There will also be a range of semi-professional video and audio equipment available for check-out from the equipment room.
Learning Goals
Required Course Activities |
Student Learning Outcomes and Activities |
University Learning Objectives |
CMDC Goals & Objectives |
1. Short Assignments | SLO1: Critical and Creative Thinking Understand the principles of framing, continuity, time frames, montage, spatial montage, practical videotaping needs like a job profile, hybrid space, hypervideo, database cinemaSLO4: Communication Learn to make effective presentation of your work in varying scenarios from formal to personal critiques of work |
Combine and synthesize existing ideas, images, or expertise in original ways.
Express concepts propositions, and beliefs in coherent, concise, and technically correct form. |
Goal 3: Employ the principles of visual form for sophisticated image manipulation |
2. Blogging | SLO1: Critical and Creative Thinking Gain a better understanding about how to engage in self-reflection about your own work through blogging about your process, methods, and ideasSLO4: Communication Become more adept about writing about your work by blogging about your insights and influences. |
Combine and synthesize existing ideas, images, or expertise in original ways.
Express concepts propositions, and beliefs in coherent, concise, and technically correct form. |
Goal 7: Recognize various forms of language processing and their implications for media authoringGoal 10: Be practiced and capable communicators in all mediums |
3. Final project | SLO1: Critical and Creative Thinking Produce the script, storyboards and other items needed for the final digital cinema projectSLO2: Information Literacy Become adept at working with tools related to video production, including cameras and softwareSLO4: Communication Be able to articulate your ideas in the 250-500 statement that accompanies your final project.SLO7: Depth, Breadth, and Integration of Learning Synthesize a broad array elements of multimedia elements (sound, movement, images) |
Combine and synthesize existing ideas, images, or expertise in original ways. Determine the extent and type of information needed.
Express concepts propositions, and beliefs in coherent, concise, and technically correct form. By applying the concepts of the general and specialized studies to personal, academic, service learning, professional, and/or community activities. |
Goal 3: Employ the principles of visual form for sophisticated image manipulationGoal 5 : Understand the production and assessment of media objects |
COURSE STRUCTURE
- Focus on the conception and creation of expressive video
- Readings, discussion of concepts, and application of theory
- Multiple assignments and projects
REQUIRED TEXTS/SUPPLIES
- Extra computer storage for video editing
- Headphones or “earbuds”
- Digital camera and monopod (available to check out)
- $10 for online movie rentals and app purchases
COURSE POINT-EARNING POTENTIALS
Blogging (20%)
- Ten 250-500 word blog posts based on readings, viewings and discussions (2% each post)
Assignments (25%)
- one day in 30 secs – 5%
- make space – 5%
- break space – 5%
- loop series – 5%
- AI cinema – 5%
Video ESSay (15%)
- a 1-3 minute video essay about one of your favorite causes, ideas, topics, person(s), places or objects. Use cinema language and text or voice-over.
a database VIDEO Project (15%)
- create a web page or series of pages with a selection of 4-6 short video loops (10-60 seconds each) about an idea or passion. what connects the separate videos? how do their differences and sameness create echos and networks of meaning?
Final Project (25%)
- a work of digital cinema that engages with at least two of the class modules and other ideas and techniques explored in class
- 250-500 word statement about your project
GENERAL ASSIGNMENT AND PROJECT GUIDELINES
- Do not use copyright-protected text, images, audio or video
- You may use material that is in the public domain, but please credit the source
- Do not ask friends or roommates to pose as interview subjects
- Your work must be your own, produced for this course
Assessment and Final Grades
Both attendance and participation will be monitored and deficiencies in either/both will result in lower final grades. Participation means being attentive in class, joining in discussions, engaging in informal critiques and completing all in-class and outside assignments.
You are allowed 2 class absences. Each class absence after that will result in a 5 point deduction from the final cumulative points. It is your responsibility to make sure I check your attendance if you arrive after the start of class. Frequent late arrivals, leaving early, or other forms of lack of attendance will also deduct points from the cumulative total. Absent students remain responsible for all course matters during their absence(s). Opportunities to make up missed work may not be available.
Final grades are based on the following scale:
A | 94-100 |
A- | 90-93 |
B+ | 87-89 |
B | 83-86 |
B- | 80-82 |
C+ | 77-79 |
C | 73-76 |
C- | 70-72 |
D | – |
F | 0-69 |
*Notice that the grade of “D” is not offered; it reverts to “F.”
Submission of Late Work
All work must be submitted as and when required. If you are sick or have an emergency, you must make contact with me (best to use Slack) and arrange a time to submit work.
Use of AI in This Course
I do not prohibit the use of AI in this course since it is clear that it can assist with mundane tasks or expand your ability to do your digital work, especially with coding and image generation. AI tools will become a standard practice in video production by the time you graduate.
You will need to document how and what you use for your projects from AI by detailing your prompts and workflow for each video (do this in a blog post). I expect your use of AI to be a starting point for your creative output and that you will layer your own insights and creativity so that you can uniquely express yourselves.