History

2008
2013
2016
2019
2020
2025

2008

ELL opens as a reading room for scholars to engage with born-digital media collected by Grigar since 1991

  • May 29-June 1, 2008: "Early Authors of Electronic Literature: The Eastgate School, Voyager Artists, and Independent Productions" exhibition Grigar mounted for ELO '08 made her realize that a space for scholars to to access and experience electronic literature on legacy computers was needed
  • July 15, 2010: Grigar requests VCLS 210 as space for the Electronic Literature Lab
  • January 10, 2011: Grigar moves into ELL and sets up a reading room with her personal collection of electronic literature and 16 legacy computers
  • April 15, 2011: Anne Balsamo visits ELL and suggests ideas for its future use
  • April 2015: ELL moves to a more visible space, VMMC 211A
  • August 2019: ELL is given an exhibition case for showing its artifacts
  • December 2023: Deena Larsen donates 25 Macintoshes to ELL, bringing its number to 85

2013

ELL expands its mission to include innovating the documentation methodology for electronic literature

  • April 9, 2013: With Anna Balsamo's and Stuart Moulthrop's support, Grigar and Moulthrop receive an NEH grant for Pathfinders
  • July 8-11, 2013: Pathfinders' Traversals start, with the first by Mouthrop held in ELL
  • August 7-10, 2013: John McDaid's Traversal at ELL
  • September 6-8, 2013: Judy Malloy's Traversal is held at Princeton University
  • October 17-20, 2013: Shelley Jackson's Traversal held at ELL
  • January 30-February 2, 2014: Bill Bly's Traversal is held at MITH with support from Matt Kirschenbaum
  • June 1, 2015: Pathfinders multimedia "Scalar" book is published
  • June 4, 2015: Grigar and Moulthrop sign the contract for Traversals with The MIT Press
  • April 2017: The MIT Press releases Traversals
  • 2018-2021: ELL continues to hold Traversals and publishing results in Rebooting Electronic Literature, Volumes 1-5

2016

ELL becomes involved in archiving and making born-digital art, literature, and games accessible to the public

  • December 2016: ELL begins to manage archives belonging to the trAce Online Writing Center, with support by Sue Thomas; and Turbulence.org, with support by Helen Thorington and Jo-Anne Green
  • May 2018: Grigar and her team is awarded a seed grant from The Alfred W. Mellon Foundation to build a repository to hold the archives
  • December 30, 2019: The "Electronic Literature Repository" (ELR) goes live with seven collections: trAce, Turbulence, Alan Bigelow, Stephanie Strickland, Marjorie C. Luesebrink, N. Katherine Hayles, and David Kolb
  • May 6, 2020: ELR is re-envisioned as a museum and library called The NEXT, built with open Web languages by graduating seniors in the Creative Media & Digital Culture program
  • 2021: ELL team members Holly Slocum and Greg Philbrook rebuild The NEXT with Semantic Markup and ARIA and continue to innovate design
  • 2022: ELL is given the 2022 Open Scholarship Award by The Canadian Social Knowledge Institute for The NEXT
  • 2024: Grigar is awarded a grant from WSU Vancouver to make The NEXT's Visualization space accessible as a Virtual Reality experience

2019

ELL begins to restore and conserve born-digital art, literature, and games held in the archives it manages to ensure outmoded works are accessible to the public

  • 2019: ELL restores Deena Larsen's "Kanji-Kus"
  • 2020: ELL picks up its first conservation project: Annie Grosshan's The World Is Not Done Yet; it also begins to preserve Flash works with Ruffle
  • 2021: ELL works with CMDC graduating seniors to translate Thomas Disch's Amnesia, for the Web, calling the project Amnesia Restored; the ELL Team conserves Richard Holeton's hypertext novel, Figurski at Findhorn on Acid
  • 2022: ELL builds David's Kolb's "Caged Text," which had remained unfinished since 1997; its also leads a team of CMDC seniors to translate Sarah Smith's King of Space for the Web and conserves Stuart Moulthrop's hypertext novel, Victory Garden
  • 2023: ELL conserves Bill Bly's We Descend and leads CMDC seniors in conserving John McDaid's Uncle Buddy's Phantom Funhouse
  • 2024: In the spring ELL begins work on conserving Christy Sanford's "Red Mona;" it also oversees the work of its Undergraduate Researcher, James Lesperance, to develop a NetProv engine aimed at documenting Rob Wittig's corpus, a project funded by WSU Vancovuer's Undergraduate Research Fellow Award

2020

ELL innovates metadata for born-digital media that are interactive, participatory, and experential

  • May 2020: ELL creates ELMS 1.0 by extending the MODS schema extended with the controlled vocabularies developed by The CELL Project
  • 2022: ELL updates the metadata schema to include more descriptive controlled vocabularies and additional fields, calling this version, ELMS 2.0
  • October 9-13, 2022: Grigar and ELL's Associate Director Richard Snyder participate in Triangle SCI 2022 to develop controlled vocabularies, a project resulting in ELMS 3.0
  • June 2023: Grigar and Snyder are awarded a grant from the Society of American Archivists to test and implement ELMS 3.0 to 30 works in The NEXT
  • January 2024: Grigar submits a proposal for a Level III Advancement Grant from the National Endowment for the Humanities to fund the implementation of ELMS 3.0 to all works in The NEXT

2024-Present

ELL is given more space and re-organized into three rooms: Reading Room, Archives Room, and The Studio

  • April 11, 2024: ELL is given VMMC 202G as an Archives Room and renames the MOVE Lab, where it has held Live Traversals, as The Studio
  • January 3, 2024: Grigar and Co-PI Frode Hegland are awarded a grant from the Alfred P. Sloan Foundation to experiment with academic reading and writing in XR environments
  • April 19, 2024: 89 boxes of archives ELL has been holding in the Reading Room are moved into Archives Room