Remixes often work in contingency with sound art as artists and designers will implement aspects of or even fragments of sound art files in their work in conjunction with other media in order to create a work that is multimodal and transcends into many spaces. In my case, I chose to continue this remix in the same format as the sound art file. In the remix, I changed the tittle screen to a black background and I changed the text to white. I kept the primary colors rotating on the screen, but then I added in the secondary colors of orange, green, and violet in their corresponding order in the color wheel. Orange was placed between red and yellow, green in between yellow and blue, and violet placed after blue. After these secondary colors have their cycle in the remix, I implemented black and white to represent the shades necessary to add depth and value. The addition of these new colors was to add more dimension to this file and to represent how life continues to become more chaotic as you add more into it. Laid out on top of these colors is a text layer with the binary code for the name of each color. This code was placed in there repeatedly to reinforce the abstract message behind it. I wanted to include the code in order to create more chaos, and to have an aspect that continues from screen-to-screen in order to also add unity to this work.