"Rachel's Recovery." TARANTELLA, New York, NY,
forthcoming.
"Slashes." DIE YOUNG, Lafayette, LA, forthcoming.
"Up Fifty Feet," "Come to Daddy," "Blue Lust" and "Blue Mud" from Blue Lust
Diagrams. CENTRAL PARK, New York, NY, Number 26, Winter, 1997, pp. 16-20.
"Bivens Arm Nature Poem (Thirty-One Afternoons in Winter)." CHAIN, New York, NY, #3., Vol 1, 1996, pp. 180-182.
"If If," "Black Snake" and "Beautiful Decomposition" from Blue Lust Diagrams. PRIVATE, Chicago, IL, Spring, 1996, Issue 10, pp. 148-151.
"Sopa." THE ILLINOIS REVIEW, Bloomington, IL, Double Issue: Fall,
1995/Spring, 1996, pp. 91-94.
"PG3335 .Z8, M18," "PQ2354 .D68, 1986," "PQ 2607 .U8245, 1976," and
"GN282.W55 1989," from Library of Congress. THE ILLINOIS REVIEW,
Bloomington, IL, Double Issue: Fall 1995/Spring 1996, pp. 101-102.
"Thirty-One Days in July." HEAVEN BONE, Chester, NY, Issue 12, 1996, pp
39-42.
"Swamp" from Packaged Deals. OYSTER BOY, Chapel Hill, NC, Issue 3,
Fall,1995, Centerfold.
"Georgette's Revenge (Linked Frames)." TO: A JOURNAL OF POETRY, PROSE +
THE VISUAL ARTS, Narberth, PA, Summer, 1995, pp. 86-100.
"Blue Mud-Lust" and "Right Hand" from Blue Lust Diagrams. FICTION
INTERNATIONAL, San Diego, CA, #27, 1995, pp. 81-83.
"PQ 1805.L5 A72" and "QB981 H377 1988" from Library of Congress. NO ROSES
REVIEW, Chicago, IL, Summer, 1995, pp. 41-42.
"The P's (With a Few Red Lilies from France)." MISSISSIPPI MUD, # 37,
Portland, OR, 1994, p. 42.
"Italian Smoking Piece (With Simultaneous Translation)." APALACHEE
QUARTERLY, #39, Tallahassee, FL, 1993, pp. 1-17.
"The Color Scheme," "The H's: The Spasms of a Requiem (With Tigers,
Electric Saw and De Maupassant's Hearts)," "Hand Jive (Blond and Black,
Sunlight and Mourning)," "Flashback #1 (The Kinetic Museum)," and
"Somersaults (With Goddess Stomp)" from The H's: The Spasms of a Requiem."
PRIVATE, #7, Chicago, IL, 1992, pp. 51-58.
"L'élève." EXQUISITE CORPSE, #37, Baton Rouge, LA,
July-Aug., 1992, p. 17.
"Flashback #2 (The Tête à Tête)" and "The Send Off" from
The H's: The Spasms of a Requiem. THE WORLD (Poetry Project), #43, New
York, NY, 1992, pp. 54-55.
"Florida Map Meat." THE WORLD (Poetry Project), #43, NY, NY, 1992, p. 55.
"Italian Tomato Label Love Song." CAPRICE, Wichita, KS, June, 1992, p. 62.
"Mexico City Is Sinking, Komodo Dragons and Cocks-of-the-Rock." YELLOW
SILK, Albany, CA, Summer/Fall, 1992, pp. 42-45.
"Pearls and Swine." ACM [Another Chicago Magazine], #24, Chicago, IL,
Fall, 1992, pp. 145-150.
"Pink Silk Poem." CAPRICE, Wichita, KS, Aug., 1992, p. 11.
"Raisin Bread (With Lecture Notes and Shadows)." FIVE FINGERS REVIEW, #11,
San Francisco, CA, 1992, pp. 146-152.
"Scenes of Angela Kissing (With Tunnel Visions, Snow White and Dopey)."
BLACK ICE, #9, Boulder, CO, 1992, pp. 43-49.
"Triptych: Panel #1: Laws of the Jungle," "Panel #2: Wailing" and "Panel
#3: Funeral Arrangement (A Layering of Steel and Flowers)" from The H's:
The Spasms of a Requiem. SONORA REVIEW, #22/23, Tucson, AZ, Spring, 1992,
pp. 99-101.
"Do-It-Yourself Woman Enveloped and De-Enveloping." PIG IRON, #17,
Youngstown, OH, 1991, p. 63.
"Measuring (Sixties Sex Research, Moving into the Realm of the Angels)."
EXQUISITE CORPSE, #33, Baton Rouge, LA, 1991, p. 27.
Works Prior to 1991 Listed by Name, Place and Year: "Black and Tan Fantasy
(Dance after Duke Ellington)." CAPRICE, 1990; "Crab Dance." ARTFUL DODGE,
1990; "Dance of the Five Veils." THE NEW YORK QUARTERLY, 1990; "Hurt
Park." THE NEW YORK QUARTERLY, 1990; "Maculate Conception at Bivens Arm."
EARTH'S DAUGHTERS, 1990; "Mary, Tied to Dressing Table." BIG WEDNESDAY,
1990; "Missionary Movingthrough M's (With Multiple Choices and Found
List)." BIG WEDNESDAY, 1990; "1928 Guide to the Italian Riviera (Lux
Flakes)." APALACHEE QUARTERLY, 1990; "Black Hawk (My `Antonia')." THE
MINNESOTA REVIEW, 1989; "Balzac Robed, Balzac Nude." NEGATIVE CAPABILITY,
1989; "Come Closer, Leo (Portrait of a Moving Subject)." VOL. NO., 1989;
"Gargoyle Piece (To Be Performed at Notre Dame by Churchgoers, Tourists,
Others)." NORTH AMERICAN REVIEW, 1989; "Home Movie of My Grandmother
Laughing (With Quotes from an Article on Crystals, a Cadillac Brochure and
the Rubáiyát of Omar Khayyám)." EPOCH, 1989; "Lady of
the Valentine (With Dangerous Suggestions)." HELICON NINE, 1989; "Magnolia
Grandiflora L." KANSAS QUARTERLY, 1989; "New Guinea Seduction." MARGIN,
1989; "Raisin Bread (With Lecture Notes and Shadows)." CENTRAL PARK, 1989;
"The Romance of Citrus (Sectional Version)." 11 x 30, (Toledo Poets
Center), 1989; "Romance of Reptiles (An Evolutionary Tale)." SPEAKEASY,
1989; "Song of the Necklaces (Soap Opera Version)." GYPSY, 1989; "Southern
New Mexico Preference Test (Short Answer Machine Scored, Form B)." Z
MISCELLANEOUS, 1989; "A Starry Night with Perfect Swirls (Twentieth Century
Iconic Martyrs)." MISSISSIPPI MUD, 1989; "Voyageant de Port en Port
à l'Initial `M' (Plateau de fruits de mer)." In French in AIRES,
1989; "Watching the Sand Shift in North Africa in 1939 (With Quotes from
Rimbaud's A Season in Hell)." MISSISSIPPI MUD, 1989; "Weight of Dreams."
Z MISCELLANEOUS, 1989; "Zelia's Visual Vocabulary (Red Truck, Mulberry
Lipstick, Spanish Style New Orleans House)." MISSISSIPPI MUD, 1989; "The
Bug." APALACHEE QUARTERLY, 1988; "Double Portrait of George Sand and
Frédéric Chopin (After the Painting by Delacroix with Quotes
from Sand's Consuelo and Chopin's Letters and Music)." GYPSY, 1988; "Fan
Dance." THE NEW YORK QUARTERLY, 1988; "The Garage." ALTERNATIVE FICTION &
POETRY, 1988; "Hot and Cold Plums (McLuhan Memories)." THE FLORIDA REVIEW,
1988; "Looking at Paris and the Moon in 1922 (With Phrases from Mina Loy's
Lunar Guide)." QUARTERLY WEST, 1988; "Imperfections in Various Sizes (New
York City)." COLORADO REVIEW, 1988; "Nina Tied to the Bed." SUB-TERRAIN,
1988; "Our Lady of the Miracles (Every Savior Ought To Be Saved)." THE
FICTION REVIEW, 1988; "Painted Man." KALLIOPE, 1988; "Pink Silk Poem."
REACTOR, 1988; "The Romance of Fainting (Blackout Cases)." APALACHEE
QUARTERLY, 1988; "The Romance of Swooning (Our Lady of Troy, New York)."
BLACK ICE, 1988; "Scenario for Marion and Gregory (Stories)." NEGATIVE
CAPABILITY, 1988; "Sunday Brides." WISCONSIN REVIEW, 1988; "Valerie,
Touring V's in Florida." SONORA REVIEW, 1988; "The Apprentice's Revenge,
Being the True Account of a California Girl's Tribulations During the
Middle Ages in Prussia (With Translations and Multiple Choices for the
Reader)." APALACHEE QUARTERLY, 1987; "Black Lace/White Lace." SWIFT KICK,
1987; "Cat Scan of a Paper Doll." KALLIOPE, 1987; "Galileo's Ode to the
Stars (Brides Traveling through National Geographic)." THE ARTS JOURNAL,
l987; "Hurt Park." ASYLUM, 1987; "Indigo Love Affair (Dreams Never Grow
Old)." BLACK ICE, 1987; "Nettie Tied to Car." PARAGRAPH, 1987; "Our Lady
of the Lavender Mist (For Woman, Men and Reader)." SLIPSTREAM, 1987; "The
Princess and Her Servant (Wide-Angle Photo of the Defunct Southeast
Gainesville Depot)." KALLIOPE, 1987; "Romance of the Scallop." PULPSMITH,
1987; "Scenes with Balloons (Creating the Stilleto-Soft Environment)."
BLACK ICE, 1987; "Suburban Night Work." PARAGRAPH, 1987; "Swimmers North
Florida: Bed (After Jennifer Bartlett's Painting `Swimmers Atlanta:
Boat')." WOODRIDER, 1987-88; "The Woman, Baseball and the Dolphin." BLACK
ICE, 1987; "Bride Thrashing Thru History on Her Way to Silicon Valley."
PHOEBUS, 1986; "Dreams of Snakes, Chocolate and Men." EXQUISITE CORPSE,
1986; "Hardcore Personals." CINCINNATI POETRY REVIEW, 1986; "Hard-Wired
Bondage." CALIFORNIA STATE POETRY QUARTERLY, 1986; "Homecoming Parade."
IMPETUS, 1986; "Nesting inthe Sands." COLUMBIA, 1986; "Only the Nude Can
Redeem the Landscape (Picture Postcards from Daytona Beach, Florida)."
COLUMBIA, 1986; "The Porsche Ballet." SALOME, 1986; "The R-Complex."
EXQUISITE CORPSE, 1986; "The Romance of Citrus (Sectional Version)."
EXQUISITE CORPSE, 1986; "The Romance of Mud." MISSISSIPPI MUD, 1986;
"Satin Doll Dreams in Black, Yellow and Purple (For Man, Woman, Group and
Audience)." DREAMWORKS, 1986; "Shirley, Skipping." THE FLORIDA REVIEW,
1986; "Supplicants and Shrines." IMAGE, 1986-87; "Torso." AMELIA, 1986;
"The Touching of Our Forearms." YELLOW SILK, 1986; "Traveling through
Ports that Begin with `M' (Seafood Medley)." MISSISSIPPI MUD, 1986; "A
Wedding with Reservations (Silkscreen Print, 1/100)." CINCINNATI POETRY
REVIEW, 1986; "The Artists' Model." LIPS, 1985; "8 mm Wedding, Spliced."
VISIONS, 1985; "Her Dowry." THE FLORIDA REVIEW, 1985; "Launching
Acculturation into the Firmament (Lingerie in Outer Space)." A FINE
MADNESS, 1985; "Machine Scored Short Answer Poem, #2." POETRY MOTEL,
1985; "The Oranges of a 1980's Artemis Ephesia (Suburban Sculpture)."
REBIRTH OF ARTEMIS, 1985; "The R-Complex." ELECTRUM, 1985; "Renée
and Ben Waiting (After Suzanne Valadon's `The Blue Room')." DREAMWORKS,
1984-85; "The Romance of Imprinting (Cases of Bonding and Possession)."
OYEZ REVIEW, 1985; "The Romance of Yielding." ELECTRUM, 1985; "This Bride
Is Not an Expressway." RANDOM WEIRDNESS, 1985; "Black Lace/White Lace."
THE NEW LAUREL REVIEW, 1984; "The Excitement of Ice." BLACK ICE, 1984;
"Great Handshakes." THE PIEDMONT LITERARY REVIEW, 1984; "The Honeymoons."
YELLOW SILK, 1984; "Hurricane! Alex!" BLACK ICE, 1984; "Minoan
Incantation in the Courthouse Square." GRYPHON, 1984; "On Taking Your
Daughter's Hand." THE PIEDMONT LITERARY REVIEW, 1984; "Scattered Fog
(Caresses and Bruises Received in the Mist)." SLIPSTREAM, 1984; "Florida
Bed with Flora." KALLIOPE, 1983; "The Oranges of a 1983 Artemis Ephesia
(Suburban Sculpture)." GRYPHON, 1983; "Pre-frondescent Black Lace Bras."
GRYPHON, 1983.
