WEEK 8: Moving Camera & Sound
(March 12)

To Do This Week

Work on Job Profiles

Compositing 5% 

Create a 30-60 second video that explores a screen space made of multiple layers of video, audio, text and/or graphic imagery. There are many techniques you can combine to create a collages of video elements: compositing (layering of video tracks), green screen, video effects, spatial montage, etc. The only rule is you must  incorporate the “indexicality” of video (your own or remixed from other sources).

    • collage > remix
    • screen > interface
    • text > titles, subtitles
    • effects >  glitch, green screen, color correction, mask, picture in picture
    • downloading YouTube videos, screen capture
    • mobile cinema – Cardiff
    • augmented, layered space and time
    • green screen

 


Video Lectures


Friday Class (Zoom)

    • Compositing assignments
    • Profiles/Rough cuts?
    • Moving Camera techniques (demo)
    • Sound Recording/ Sound Design
      separating audio from camera/ sync in Premiere
    • Recording and editing interviews

Notes

Short Tutorials

 

Moving the Camera

Static Camera (locked-off) :
-staging and blocking talent
-dynamic framing and editing

Moving Camera:
-handheld, panning, tracking, etc.
-the long take
-planned  vs. spontaneous  (handheld)

Pan, Tilt:
– unnatural, motivate the move
– start  frame (10 sec.) , movement, end  frame (10 secs)
– plan shot, practice with tripod head or monopod swivel

Dolly/Tracking:
– skateboards, cars, bicycles and wheelchairs
– gopro attached to moving vehicals

Handheld (with monopod):
-swish pans
– wide angle, adjust focus
– tai chi movements ( from the center)

Steadicams:
– iphone smoothee, flowmotion, etc.
– DIY – hang a weight

Drones:

Blair Witch Project, 1999, Daniel Myrick, Eduardo Sánchez

  •  

 

 

Sound Recording/ Sound Design  >  storytelling

Recording Sound for Video

  • keep silent! (important for interviews)
  • mic within 3 feet of subject (boom, directional, lav, hidden, phone)
  • record “room” tone or ambient noise (30-60 seconds) to cover edits
  • keep the mic away from bumpy surfaces and direct wind (wind cover)
  • if necessary, redo shots just for the sound with the mic close to subject 
  • add sounds in post-production (foley)
  • mix sound, voice and music to emphasize story, subjectivity, mood, etc

 

Foley Artists

“Munich” – Steven Spielberg and Ben Burtt (Sound Design)

 

Creating rhythms with synchronous sound:

 

 

Asynchronous sound:

dai sugano portfolio

Window by Ryszard Waśko, 1971

 

Sound resources: download mp3, aif, or acc sounds and music for FREE!
freesound.org
ccmixter.org
freemusicarchive.org
sounddogs.com
soundrangers.com
freesound.org
creativecommons.org/legalmusicforvideos
audiofarm.org

 

 

 

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