- full attention to lectures, screenings and discussions
- involvement and preparedness in class discussions and exercises (do the reading!)
I will provide blogging prompts and/or exercises to help you think critically and creatively about the themes each week. Blog posts should be approximately 250-500 words , demonstrate a solid understanding of the readings/screenings and the ongoing themes in the course, be crafted as mini-essays with proper grammar and spelling and include relevant links, media inserts, “featured image” and metadata (tagging, categories).
You will also be posting all video assignments and projects (embedded from your youtube or vimeo accounts) to your blog, along with a text introduction and proper metadata.
As upper-level university students at a Tier 1 research institution, your writing proficiency should reflect that status. We will discuss what makes good blog writing throughout the course.
-posts are a proper and timely response to the week’s reading(s) and prompt
-posts are developed arguments with (if required) supporting evidence (quotes, embedded videos, images etc.)
-posts are around 250-500 words
-posts are formatted with a featured image, blockquotes, external links (where appropriate), categories, tags
-you make 5-10 comments on classmates’ (in your group) blog posts (during the semester)
B: significantly deficient in any one of the above areas
C: significantly deficient in any two of the above areas
D-F: significantly deficient in all 3 of the above areas
In visual storytelling, establishing a setting is very important for narrative context. Where are we? When is it? And what is the story about? The first shots of scenes in documentaries, as well as fictional movies, often provide the viewer with a wide context and then essential details.
In this assignment, you are to make a “Who Dunnit?” sequence. No actors, just a sequence of shots that presents the aftermath of an event and the possible clues for what happened. This does not have to be a crime. It could be an accident caused by a child or pet. Use different framing compositions (long shot, medium shot, close up, etc.). Each sequence should be made of 5-10 different “locked” (not moving tripod) shots. Shoot, edit, compress and upload these videos to youtube.com or vimeo.com. Present the assignment to the class with a blog post.
Shoot and edit a short video follows the principles of continuity to create the illusion of continuous space and time. Try to vary the angles and distances of your shots: establishing shot, medium-shot, close-up, extreme-close-up. Sound may be an element here, but please do not include talking, music or verbal explanations. We are working on visual explanations, depicting continuity of action. Below are some ideas.
- Making Something:
Document someone making something to completion. The process may take 3-30 minutes, but the final video should be no more than 30 seconds. Document a single continuous action (making art, playing sports, cooking a meal, walking a dog) and edit it into a sequence that is between 30-60 seconds.
- “Lunch Date” redux:
Using continuity editing, narrate a 30 sec. story about a character suspecting another character of taking something belonging to them.
Post your Continuity Assignment with a Vimeo embed (place the url on its own line) and write a 500 word assessment of your video from the standpoint of framing and continuity editing. What works and what doesn’t work to tell the visual story?
Time Frames (5%)
Shoot and edit 5-10 video loops (6-12 sec. mini-narratives) that depict, emphasize or evoke different subjective experiences of time: cyclic, slow, timeless, frantic, rhythmic. In some of these loops, try to incorporate continuity editing – POV shot, match on action – to maintain unity. Also, create variety in shot length for emphasis. A 4-second shot sandwiched between 2-second shots, will seem to stretch time.
As an element of film language, montage (the juxtaposition of images) can be a powerful tool for emotional storytelling and surrealist surprise. But it can also be used for propaganda, marketing, training, education and entertainment. In other words, be free to juxtapose images for narrative/expressive effect, but be aware and sensitive to how those juxtapositions will be perceived.
In this assignment, you are to express an idea, a feeling or complex subject through the juxtaposition of images. You may use natural sound or keep it silent, but please no music tracks. I want you to find the rhythm and pacing of your edits in the narrative, not in external music.
- Create a 30-60 second video that has at least two distinct video frames simultaneously on the screen. Think about the relationships between each frame’s content (for continuity or montage effects), the relationship between each frame’s editing rhythm, the combinations of their sound tracks and the similarities or differences in the proportions and positioning of the frames themselves.
- Download 3-5 movie trailers and/or scenes from movies. You will get the most humorous results if you mix different genres! Bring these videos into Premiere and edit your own trailer of an imaginary movie. Try to use continuity editing, montage and sound editing to create the illusion that your remix references a real movie.
Job/Hobby Profile Assignment (10%):
no more than 2 minutes
In this assignment, you will do a 1-2 minute profile of a person at their job or doing their hobby, like gardening or painting. What does this person do at their job or hobby? What is the activity? How often do they do it? What experience are they getting? What experience did they need before getting the job or starting on the hobby? If the person works at home, how do they manage home life and their work? How might you tie the job or hobby to larger questions about work or creative activity?
The two areas of focus in this assignment are 1) moving with the camera and 2) conducting an interview, but you should of course pay attention to continuity and framing. So choose a subject that does not spend the day sitting in front of a computer, even though most jobs do include some of this.
- First, have a pre-interview discussion with your subject. Find out some things about them and their job.
- Prepare a story outline, interview questions and a shot list for visual evidence.
- Then set up a time/place with your subject and conduct a sit-down interview at a good location for lighting and sound recording.
- After the interview, get the visual evidence you need by following the person at work or, even better, as they work on a particular project. Continue to ask questions while following the subject with the camera. You may find that the answers are more interesting than in the sit-down interview.
Hybrid Space 5%
Create a 30-60 second video that explores a hybrid cinematic space: a screen space made of multiple layers of video, text and/or graphic imagery. There are many techniques you can combine to create a hybrid space: compositing (layering of video tracks), green screen, video effects, spatial montage, etc. Or you can use Newhive to create your own layered HTML space. The only rule is you must incorporate the “indexicality” of video (your own or remixed from other sources).
Interactive Cinema (5%)
Using either YouTube annotations or this html template I provide, shoot and edit at least 5-10 short videos (10-60 seconds) that are connected as a multilinear narrative through hyperlinks. Multiple hyperlinks or hotspots on any given video to any other video in the enclosed network should create multiple pathways for the user. What can you do with such a structure? What kind of cinema narratives can you invent?
Using this html template I provide, shoot and edit 9 short videos (10-60 seconds) that combine to form a “database narrative.” Without a defined sequential order, how can you create a thematic unity or a central story idea that is made clear to the user after they explore the piece?
Video Essay (5%)
Final Project (25%)
Based on the assignments, readings , screenings and class discussions, create a final project that explores/exploits at least one feature of “digital cinema”: looped video, glitched video, composited video, networked video, hyperlinked video, database video, etc.
You may create a fictional, non-fictional or abstract project. However,the project must be made of video (moving digital images originally captured as video), incorporate cinema language (thoughtful continuity editing and montage) and you must engage with the class ideas in the conception of your project. Your grade we will be based on the quality and effort of your creative work as well as its conceptual foundation.
Some suggested ideas:
- a Youtube web series
- video loops in an hyperlinked html project,
- a mashup or series of mashups,
- a video that creates a hybrid space with composting, spatial montage and other effects
- a multilinear database narrative
Group projects are possible. Each student must write an artist statement about the project.