“The Art and Science of Hypertext” highlights the way in which hypertext was envisioned and articulated from the late 1980s to the early 2000s. The exhibit features scholarly articles published in ACM Hypertext book of proceedings to hypertext fiction to software and user’s manuals for authoring systems, to the very computers that showcased works, and many other artifacts in an effort to show the deep connection between theory and practice that gave way to innovation and a new form of art. Special Note: All materials are part of the Electronic Literature Lab’s permanent collection, unless noted otherwise.   Materials Exhibited: Left Cabinet: The Art of Hypertext Top Shelf: Macintosh Classic,…

We are happy to announce that Nicholas Schiller, the Associate Director of the Electronic Literature Lab, has been awarded a 2018 Washington Digital Heritage (WDH) grant from the Washington State Library that funds either a new metadata schema or develop an application profile for an existing schema for use in the preservation of born-digital works of literature and other early software. As he states in the grant narrative: “The project can be separated into three distinct phases. The first stage, carried out by Schiller, involves research and examination of existing metadata standards and application profiles for collections of early computer software. Much of this knowledge has already been informally gathered, but…

Visiting ELL on Monday and Tuesday was Prof. Dr. Claus Atzenbeck, the Research Group Leader of the Visual Analytics Research Group at the Institute of Information Systems, Hof University, Germany. He had come to the U.S. for the ACM Hypertext 2018 conference held in Baltimore, MD that took place July 9-12, stopping over in Austin before flying to WSUV. Among many topics we covered were his research into hypertext systems and the knowledge base project he is developing to visualize data based on the proximity of digital objects. He spent much time studying ELL’s library of electronic literature works and reading through some its titles on our vintage computers. On Tuesday…

On Tuesday––a day earlier than we anticipated––we completed the development of the metadata for Turbulence.org for the Coping with Bits project. This means that the undergraduate researchers filled out the fields mapped for ingestion into the data management system that Abby Adams, Nicholas Schiller, Leo Flores, and I are using for creating the ELO’s repository. The two founders of Turbulence.org, Jo-Anne Green and Helen Thorington, had provided me with two Excel spreadsheets containing the Commissioned Works and Artists for the 358 works listed in Turbulence.org’s inventory. Using these two documents, Abby and Nicholas developed the additional fields needed for enhancing the findability of and documenting the works. Jo-Anne and Helen also…

My interest in born digital literature is born out of a fascination with creative uses of computing technologies for the purpose of human expression. This same interest extends to tools produced for teaching the foundations of that expression––namely born digital multimedia and interactive software for composition and literature college classrooms. Last week we received a donation of such media from my long-time Computers & Writing colleague, Janice Walker, who recently retired from teaching.  The box she sent was full of software many of us used––and created––from the mid-1990s to the mid-2000s when book publishers and independent producers were all leaping (or putting their toe) in the multimedia waters that emerged…

After our meeting in Victoria, B.C. with our partners in the Electronic Textual Cultures Lab about the Samvera installation, Leo Flores, Abby Adams, Nicholas Schiller, and I returned to Vancouver to hold the final portion of our kick off for the Coping with Bits project in the Electronic Literature Lab. Abby and Nicholas led the undergraduate researchers through the various fields they need to map and had the students run through several works from the Turbulence.org archives, which is the first collection we are planning to document. Leo worked with Greg Philbrook, the CMDC’s tech guru, on website issues. I went through media that Helen Thorington and Jo-Anne Green had…

For the last five years, the Electronic Literature Lab (ELL) has been able to fund undergraduate researchers to work in the lab, participating in faculty research projects and undertaking their own. In 2018-19 the ELL has hired six students, four of which are able to begin this summer to work on the “A Comprehensive Online Portal for Electronic Literature Works” (COPE) project, funded by the Andrew W. Mellon Foundation. Specifically, they will ensure the quality control of the metadata migrated to the digital asset management system, an experience that will help them gain knowledge of research methodologies, lab procedures, procedural logic, and library and archival practices. The four students involved in…

The Electronic Literature Lab (ELL) at Washington State University Vancouver announces the publication of their open source, multimedia book, Rebooting Electronic Literature, on June 1, 2018. Written and produced by the ELL Team––Dene Grigar, PhD; Nicholas Schiller, MLIS; Vanessa Rhodes, B.A.; Mariah Gwin, Veronica Whitney, B.A.; and Katie Bowen––the book provides scholars with access to fragile, seminal works published on floppy disks and CD-ROMs between 1986-1996, including: Sarah Smith’s science fiction hypertext novel King of Space (1991) David Kolb’s hypertext essay “Socrates in the Labyrinth” (1994) Yellowlees Douglas’ hypertext narrative “I Have Said Nothing” (1994) Thomas M. Disch’s text adventure “AMNESIA” (1986) Rob Kendall’s hypertext animated poem “A Life Set…

Friday, 5/18, 2018 1-2 p.m. PDT Live on YouTube and F2F in Electronic Literature Lab, WSUV Campus, VMMC 211A #elitpathfinders Experience a performance––what Stuart Moulthrop and I call a “Traversal”––of Mary-Kim Arnold’s short hypertext narrative “Lust” (1994). This is a live performance streamed on YouTube and also captured in video in the Electronic Literature Lab. To access the work, we will be using the 3.5-inch floppy disk from The Grigar Collection on a Macintosh SE running System Software 6.0.7. The work was published in the The Eastgate Quarterly Review of Hypertext, Vol. 1, No. 2, Winter 1994 and bundled with J. Yellowlees Douglas’s “I Have Said Nothing.” Performing the Traversal is Nicholas…