Live Stream Traversal of Kathryn Cramer’s In Small & Large Pieces

Friday, 10/26, 2018 12 Noon-1 p.m. PDT Live on YouTube and F2F in Electronic Literature Lab, WSUV Campus, VMMC 211A YouTube: https://www.youtube.com/channel/UCzeZQ05p_1Tli0lDBeWMxOA/live Facebook: https://www.facebook.com/search/top/?q=elitpathfinders Twitter: #elitpathfinders Instagram: https://www.instagram.com/electronicliteraturelab/ Experience early born digital literature performed live via YouTube. Drawn from Stuart Moulthrop and Dene Grigar’s concept of the “Traversal,” these performances take place on the original hardware and […]

For the Love of the (Video) Game

We’re been posting a lot lately about the preservation work we’ve been doing in the Electronic Literature Lab. Now it’s time to talk about the exhibit curation we also do here. This month Mariah Gwin, the Undergraduate Researcher who specializes in video game studies and handles the games collected in the ELL Collection, has mounted […]

2018-19 Live Stream Traversal Schedule

For the second year, the Electronic Literature Lab (ELL) at Washington State University Vancouver is hosting live stream Traversals of pioneering born digital literature. These events feature authors or readers performing the work on computers on which the works were originally experienced at the time of the works’ release. We are pleased to announce that […]

ELL Activities

As they walk by, students stare curiously into the window, taken in by the scene of people hunkered down around a long table surrounded by three banks of vintage computers. The boldest and most inquisitive among the onlookers often poke their heads into the door and ask, “What is this place?” Welcome to the Electronic Literature […]

Rhizome’s Linked Open Data/Wikibase Summit

ELO’s Digital Archivist Abby Adams and I attended Rhizome’s Linked Open Data/Wikibase Summit last week with two goals:  1) to learn more about how Rhizome structured information in its Wikibase because ELO is using it––along with the Library of Congress Name Authority File and ELMCIP––for tracking authoritative data for the ELO Repository; and 2) to become […]

Space Poetry: Screening Eduardo Kac’s Inner Telescope

Imagine a medium untethered to gravity, where no wind carries the spoken word and where no magnetic field bounds writers to express thought in a particular direction. In such an environment, what would poetry be? This is the question that media artist Eduardo Kac explores in his work, Inner Telescope. This is the first work […]

Bill Bly, author of We Descend, Will Visit ELL

Bill Bly, the author of We Descend (1997), will visit the Electronic Literature Lab on Friday, September 14. Bly also authored the online chapbook Wyrmes Mete (2002). His print poems and stories have appears in 5 AM, Amelia, American Poetry Anthology, Antigonish Review, Encore, Explorations ’95, MacGuffin, Runes, Yahoo! Internet Life, and Zone 3, along with articles […]

2018-19 Events

Screenings “Inner Telescope,” by Eduardo Kac. Wednesday, October 3, 11:30-12 noon. ELL, VMMC 211 A From Kac’s website: “Eduardo Kac has created an artwork aboard the International Space Station (ISS); French astronaut Thomas Pesquet realized it on Saturday, February 18th, 2017. Kac’s work, entitled Inner Telescope, was specifically conceived for zero gravity and was not brought from […]

2018-19 Live Stream Traversals Schedule

The Electronic Literature Lab’s collection of important––and fragile––works of hyperfiction and poetry published on removable disks are again the focus of this year’s Live Stream Traversals (re: performances) via YouTube. All events are free & open to the public. Friday, October 26: Kathryn Cramer’s “In Small & Large Pieces” (1994) Friday, November 9: Deena Larsen, […]

The Art and Science of Hypertext

“The Art and Science of Hypertext” highlights the way in which hypertext was envisioned and articulated from the late 1980s to the early 2000s. The exhibit features scholarly articles published in ACM Hypertext book of proceedings to hypertext fiction to software and user’s manuals for authoring systems, to the very computers that showcased works, and […]