Innovator of Hypertext Fiction

retro map showing various locations from classic Victory Garden
Full sized map of the classic Victory Garden

The classic Victory Garden was one of the first efforts of the so-called Eastgate School, following Michael Joyce’s afternoon: a story (1990) and preceding John McDaid’s Uncle Buddy’s Phantom Funhouse (1993), Deena Larsen’s Marble Springs (1993), Shelley Jackson’s Patchwork Girl (1995), Bill Bly’s We Descend (1997) and Richard Holeton’s Figurski at Findhorn on Acid (2000). Though most of his schoolmates chose to graduate, Moulthrop happily stayed behind, writing fictions for the World Wide Web, including Hegirascope (1995-1997), which features a time-limited reading scheme that would reappear, independently and more momentously, in Anna Anthropy’s Queers in Love at the End of the World (2013).

retro map showing various locations from classic Victory Garden
Full sized map of the classic Victory Garden

Experiments in Net Art

Around the turn of the century Moulthrop produced a series of projects using imaging and animation technologies, beginning with Reagan Library (1999), which features a rendered 3D space explorable through panoramic graphics, and a series of pieces created with Adobe Flash, including Pax (2003), Radio Salience (2007), Under Language (2008), and Deep Surface (2010). Many of these works had game-like features. Under Language may actually count as a game or puzzle. Some, like Pax and Marginal Effects (2004) experimented with radical approaches to interface design. Others, from Reagan Library to End of the White Subway (2016), have probed the possibilities of algorithmically generated text.