Syllabus
DTC 338: Generative AI
- Fall 2025
- Class Time: Mondays 5:45pm–8:30pm
- Location: VMMC 111
- Instructor: Will Luers
- Email: wluers@wsu.edu
- Office Hours: Monday 3–4pm (in the Digs) and arranged on Zoom.
Course Rationale
This course invites students to explore creative relationships between humans and generative AI tools through a practice of thoughtful, critical, and embodied making. Drawing from media theory, speculative design, and the arts, we investigate how tools like LLMs and diffusion models challenge traditional notions of creativity, authorship, and human uniqueness.
Students will develop projects that slow down fast workflows, incorporating analog practices such as handwriting, drawing, photography, and journaling, which are later translated, processed, and rewritten through AI collaborations. The emphasis is on iteration, process, and uncovering the deeply human dimensions of generative workflows.
Learning Goals
| Required Course Activities | University Learning Goals | University Learning Objectives | CMDC Goals & Objectives |
| 1. Human–AI Dialogue/Multimodal Essay-Fiction | Critical and Creative Thinking (ULG1) Communication (ULG4) | Combine and synthesize existing ideas, images, or expertise in original ways. Express concepts propositions, and beliefs in coherent, concise, and technically correct form. | Goal 1: Demonstrate competency with computers for designing, distributing, retrieving, and preserving digital works in various mediums for humane and effective human-computer interactions Goal 2: Synthesize media forms for multimedia contexts Goal 3: Employ the principles of visual form for sophisticated image manipulation |
| 2. Speculative World‑Building | Critical and Creative Thinking (ULG1) Communication (ULG4) Quantitative and Symbolic Reasoning (ULG2) | Combine and synthesize existing ideas, images, or expertise in original ways. Express concepts propositions, and beliefs in coherent, concise, and technically correct form. Understand and apply quantitative, symbolic and computational principles and methods in the solution of problems | Goal 7 Recognize various forms of language processing and their implications for media authoring |
| 3. Collaborative Online Exhibition | Critical and Creative Thinking (ULG1) Communication (ULG4) Quantitative and Symbolic Reasoning (ULG2) | Combine and synthesize existing ideas, images, or expertise in original ways. Express concepts propositions, and beliefs in coherent, concise, and technically correct form. Understand and apply quantitative, symbolic and computational principles and methods in the solution of problems | Goal 7 Recognize various forms of language processing and their implications for media authoring |
| 4. Final Creative Artifact + Reflection | Critical and Creative Thinking (ULG1) Information Literacy (ULG2) Communication (ULG4) Depth, Breadth, and Integration of Learning (ULG7) | Combine and synthesize existing ideas, images, or expertise in original ways. Determine the extent and type of information needed. Express concepts propositions, and beliefs in coherent, concise, and technically correct form.By applying the concepts of the general and specialized studies to personal, academic, service learning, professional, and/or community activities. | Goal 7 Recognize various forms of language processing and their implications for media authoring Goal 5 Know the basics of information architecture and knowledge management along with ways digital information can be structured for retrieval and archival purposes for different audiences |
Online tools
- Slack - download and sign-up with your wsu account. Once you are invited to the class channel you will see it in the sidebar.
Required Materials
- Dynamic AI Co-Creation: A Human-Centered Approach by Will Luers
- ChatGPT Free or Plus ($20/month)
- Midjourney / RunwayML / Flow (optional)
- Smartphone or digital camera
- Paper notebook/journal and pen
- Headphones/earbuds
COURSE POINT-EARNING POTENTIALS
- Participation in Journaling – 10%
- Project 1: Human-AI Dialogue – 15%
- Project 2: Speculative World-Building – 15%
- Project 3: Multimodal Essay-Fiction – 15%
- Project 4: Group Online Exhibition – 15%
- Project 5: Creative Artifact + Mini-Essay – 15%
Attendance Policy
Two absences are allowed. Each additional absence deducts 5 points. It is your responsibility to make sure I check your attendance if you arrive after the start of class. Frequent late arrivals, leaving early, or other forms of lack of attendance will also deduct points from the cumulative total. Participation in discussion and critique is essential.
Both attendance and participation will be monitored and deficiencies in either/both will result in lower final grades. Participation means being attentive in class, joining in discussions, engaging in informal critiques and completing all in-class and outside assignments.
It is your responsibility to make sure I check your attendance if you come to class after the start of class. Frequent late arrivals, leaving early, or other forms of lack of attendance will also deduct points from the cumulative total. Absent students remain responsible for all course matters during their absence(s). Opportunities to make up missed work may not be available. Final grades are determined from the cumulative points earned, plus or minus any deductions or additions for attendance or participation. No curving, averaging, or other manipulations are utilized. No other assessment or extra credit opportunities are planned. Incompletes are not available.
Final grades are based on the following scale:
| A | 94-100 |
| A- | 90-93 |
| B+ | 87-89 |
| B | 83-86 |
| B- | 80-82 |
| C+ | 77-79 |
| C | 73-76 |
| C- | 70-72 |
| D | * |
| F | 0-69 |
Submission of Late Work
All work must be submitted as and when required. Late work may not be accepted, or accepted with a substantial penalty. Email submissions of work or work submitted “under the door” or “in the mailbox” will not be accepted. No excuses, no exceptions.Schedule & Project Due Dates
| Week | Date | Topic | Assignment / Project Due |
|---|---|---|---|
| 1 | Aug 18 | Introduction: Humans + Machines | ChatGPT for dictating and elabortating on Journal entries with chats |
| 2 | Aug 25 | Language + Intelligence | - |
| 3 | Sept 8 | Machine Simulations | - |
| 4 | Sept 15 | Posthuman Identities | - |
| 5 | Sept 22 | Generative Writing | Human–AI Dialogue (10%) |
| 6 | Sept 29 | Generative Imaging | - |
| 7 | Oct 6 | Generative Cinema | - |
| 8 | Oct 13 | Workshop: World Projects | - |
| 9 | Oct 20 | Generatve Coding | - |
| 10 | Oct 27 | Generatve Sound | Project 2: Speculative World‑Building (15%) |
| 11 | Nov 3 | AI Arts & Aesthetics | Project 3: Multimodal Essay-Fiction |
| 12 | Nov 10 | AI Arts & Aesthetics | - |
| 13 | Nov 17 | Workshop: Group Exhibition | Project 4: Collaborative Online Exhibition (15%) |
| 14 | Dec 1 | Group Presentations + Final Reflections | Project 5: Final Creative Artifact + Reflection (25%) |
AI Use Policy
Students are encouraged to use AI tools to amplify their strengths and enhance their learning. AI can be a valuable resource for:
- Learning and research (always fact-checked for accuracy)
- Coding assistance and error checking
- Brainstorming and world-building
- Mood board creation and visual inspiration
- Planning and structuring projects
- Generative media for multimedia art, cinema, sound, and other creative disciplines
However, in this course, ideas and approaches will begin with you. Much of the creative process will be spent in discussion, journaling, and workshopping in and out of class. These steps are designed to slow the process down and help you develop a clear perspective and direction before you turn to AI tools.
AI should be used as a support for thinking — not a shortcut to bypass it.
- Your final submissions must reflect your own style, approach, and aesthetic.
- For most projects, the professor may require documentation of all AI-assisted work — including transcripts of chats, prompts, and outputs used during development.
- Transparency is essential to your growth in digital media and in working with generative AI. If AI meaningfully shaped your work, you should note where and how you used it (for example: “I used ChatGPT to debug a function, then rewrote the solution in my own style” or “I generated images to explore a visual style and then used my own sketches to refine and complete the scenes”). This documentation helps track your role in a complex creative process.
- Direct, unmodified AI outputs should not be submitted as your own work. This includes copy-pasting code, text, or images without adaptation or acknowledgment.
AI tools — including those for generative media — are powerful learning partners, but they cannot replace the slower, deeper process of design thinking, workshopping, and evolving your own ideas in dialogue with others.
University Syllabus Link
https://syllabus.wsu.edu/university-syllabus/
Note: This syllabus is subject to change and will be updated on Slack and course site.