February 8: Net Art & Hypermedia

Read:

Works:

About Works:

Blog: Explore the above three works of hypertext fiction, along with the writing about the works. The expressive hypertext works presented on the web in the late 90s were often within the context of “net art.” Net Art was a loosely defined online community of artists, writers and coders who embraced low bandwidth connections speeds, the accessibility of HTML and JavaScript to create interactive multimedia works, the frontier freedoms of expression and copyright in the early web, and the intimacy of connecting to a readership/viewership without intermediary publishers. 

Choose one of the works to read/explore in-depth and write a post reflecting on themes explored so far: multilinearity, variability, combinatory poetics, intertextuality, reflexivity, navigation structures, the relations or tensions between image, sound, text. How do these online works differ from the earlier published hypertext fiction?


IN-CLASS TOPICS:

Discuss works

Talk: Net Art

“IF SOMETHING IS IN THE NET, IT SHOULD SPEAK IN NET.LANGUAGE.”
– OLIA LIALINA, 1997

My Boyfriend Came Back from the War, Olia Lialina

 

Grammatron, Mark Amerika

World of Awe, by Yael Kanarek, 2000. 

Epithelia, Mariela Yeregui, 1999.

System of Interrelated Styles,  by M. Kitchell

-computer as semantic machine 
-input and output of alphanumeric symbols 
-internet as consciousness/unconsciousness
– what is our internet now? is it broken? 

IN-CLASS EXERCISE:

  Hypermedia/net art exercises

 

  ELD Entries  research

 

 

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