John Barber, PhD, is a digital artist and scholar based whose work is predominantly focused on sound art, experimental live radio performances, and podcasts. Barber’s sound art has been featured in many international festivals and exhibitions. for example, Sounds of My Life was featured at Lisbon’s annual RadiaLx International Festival of Radio Art, Between Sleep and Dreams was included in events across Canada, Estonia, and Portugal, and Remembering the Dead was exhibited at the Paul Watson Gallery in Winona, MN and re-interpreted as Remembering the Dead: Northern Ireland, which was published in New Binary Press. Barber’s work has also been included in the Audiograft International Festival of Experimental Music and Sound hosted by Oxford Brookes University and Brazil’s Festival Internacional de Linguage Eletronica. As a scholar of media art and digital storytelling, Barber has been published in a range of journals and academic volumes, including Digital Humanities Quarterly, The Mobile Story, and Transdisciplinary Digital Art.

Mariusz Pisarski, PhD, is author of “Xanadu. Hypertextual metamorphosis of fiction” (Kraków, 2013). He has presented digital literacy projects at contemporary art spaces in Paris, Warsaw, Bratislava, Kosice and Vancouver and has translated American digital literature. He also serves as the chief editor of Techsty, a journal on new media and literature, and as creative director for multimedia in Korporacja Ha!art from Cracow.

Erika Fülöp is a Professor in 21st Century Literature, Digital Humanities, and Creative Writing at the University of Toulouse who explores recent and diverse modes of writing and authorship that question and expand the concept of writing and literature, including interferences between print books and networked writing, the impact of social networks on authorship, video writing on YouTube, and digital poetry and its translation. She has directed several projects and conferences around these subjects, including Screening the Literary (2016-17) and The Creative Web of Languages (2017-19). In 2020 she completed a monograph co-authored with Gilles Bonnet and Gaëlle Théval on French creative literary experimentation on YouTube (‘Qu'est-ce aue la LittéraTube?'), and in 2021, adventured into learning to code & co. thanks to an EPSRC grant in order to carry out truly interdisciplinary research and analyses of electronic literature.

Agnieszka Przybyszewska, PhD, is Assistant Professor at the University of Łódź in Poland and Visiting Research Fellow (2020-2022) at Bath Spa University, where she is conducting research on electronic literature as part of the Bekker Programme of Polish National Agency For Academic Exchange. Her research is focused on modern evolution in the concept of the book, the act of reading and literature itself, and includes diverse forms of textual materialism and electronic literature. Recently she focuses mostly on haptic and corporeal aspects of reading. Agnieszka is an author of an extensive monograph on liberature and liberacy (“Liberackość dzieła literackiego”, 2015), as well as of several dozens articles on emerging forms of storytelling and literary publications in peer-reviewed journals and collective academic publications (in Polish, English and Spanish). She is a member of Electronic Literature Organization and Polish Centre of Research on Electronic Literature, editor of The Writing Platform. She teaches academic courses on modern unconventional and innovative forms of print and digital literature and she was a co-author of a programme of Creative Writing studies at the University of Łódź. She is currently focused on writing a monograph on Kate Pullinger's digital writing (within NAWA project “From multimodal interactive narrative to small screen fiction and haptic, corporeal reading: Kate Pullinger and innovation in digital writing”) and she is a lead of a project of the author’s digital works archive (within IDUB project “Between (re)construction and emulation. Archiving and popularisation of electronic literature – Kate Pullinger's Archive”).

Deena Larsen is an American new media and hypertext fiction author involved in the creative electronic writing community since the 1980s. Her work has been published in online journals such as the Iowa Review Web, Cauldron and Net, frAme, inFLECT, and Blue Moon Review.

Ruth Woodcock is a Post-Baccalaureate Researcher in the Electronic Literature Lab who graduated with her B.A. in Digital Technology and Culture. With a background in HTML5, CSS3, JavaScript, PHP, MySQL, C, and other languages as well as front end design software like Adobe, she serves as one of the programmers on ELO’s The NEXT and also assists with content development for the space. She is also the developer the archival website for N. Katherine Hayles, a project begun in September 2021. Ruth also served as a programmer on the production of the video game, Quest for Arete.

James Lesperance is a senior in the DTC Department specializing in programming and games. He served as a docent at the Hypertext & Art exhibition that took place in September 2023 in Rome, Italy. He is the recent recipient of the Undergraduate Research Fellow Award given out by Washington State University Vancouver.

Evan Leyden is a senior in the DTC Department specializing in 2D animation, motion graphics, and multimedia design. They were a part of the team that reconstructed Deena Larsen's "Stone Moons" and has worked as the illustrator book Larsen's book "Self Care World Care". They are currently working as one of the animators on the Phonic Bloom AR project for the Woodland Community Library.

Rylan Eisenhauer is a senior in the DTC Department specializing in video editing and production. He serves as the Social Media Specialist for the Future of Text as well as Re-Imagined Radio. He also has been managing a YouTube channel "Bunkatron" with a team of eight, which focuses on gaming and comedy content.