Month: March 2019

Network Writing

0alloldusers

Out of the works we were asked to explore this week, the one that engaged me the most emotionally was heyharryheymatilda by Rachel Hulin. I had never seen a work done this way, so it was very interesting to me. Most of the time while I surf Instagram, I don’t really look at people’s posts as a way of telling a narrative, but as I was exploring heyharryheymatilda it made me realize that posts can in fact be considered a story. I did find it a little hard to follow at first, but then I remembered that the most recent posts are displayed first in the feed, so I scrolled down to the beginning and started there.

I think this piece is a perfect example of how we interact with the networks we live in. One of the things that really brought this to my attention was the use of the Instagram platform itself. After a post is published, users/viewers are able to interact with the posts by “liking” images as well as making comments on the posts (if the owner has allowed them) to further engage with the story.

“-digital literary art can serve as a critical mirror to help us better understand the networked society that we co-create, that we are subject to, and that we together inhabit.” (Rettberg, 182)

While looking more into this work, I discovered that there is a paperback version of the novel as well. It would be interesting to read the print version and compare the experience of the two. I would make a guess that personally,  I would feel more engaged and immersed in the Instagram version of the novel than I would with the print version. I think that the use of imagery and video really enhances the experience and makes the narrative come to life.

Angels and Network Writing

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Elaina Sundwall

“Electronic Literature is most simply described as new forms and genres of writing that explore the specific capabilities of the computer and the network”

– Scott Rettberg
Most of the electronic literature we have discussed in this class has been focused on, or more apparently has to do with, the computers programming capabilities. Other than hypertext fiction, most of the works we have been traversing have been fueled or made interactable through their programmed elements. Network writing is focused on the network capabilities of the computer.

“Networks are both technological and social structures. For electronic literature, networks are both platform and material.”

– Scott Rettberg

Network writing is made up of collaborative works that use the capabilities of the network to build the piece, or the piece resides in a networked instance on the internet, such as social media posts, email, or websites. The piece “The Fall of the Site of Marsha” by Rob Wittig combines these two aspects of network writing. The work is hosted on three iterations of a nostalgic HTML site, created by Marsha with the help of her husband, Mike, dedicated to angels. The iterations of the site get subsequently darker as the angels take over, first adding text, that is struck through to represent Marsha and Mike’s attempts at stopping the angels, and eventually deteriorates to a disturbed and dark version of the website, where the angels have taken over. This work emulates collaborative network writing, with the angels editing and eventually taking over the content of the site. The work may be more palatable to traversers who are uncomfortable with the difficulty of traversing more programmed works, as it is presented in three static HTML sites. Traversers may become emotionally engaged in the work, as there are definite antagonists and protagonists, and the work presents itself in a linear fashion, if the traverser chooses to traverse the sites in order.

Network Writing

Jarid Schoenlein

As stated in the first sentence of Rettburg in his chapter on Network Writing, he states that network writing is created for and published on the internet, and that the internet has vast potential for collaboration. The fact that most of society is literate on the web makes network writing a form of writing that is readily accessible and  understood by web users everywhere.

Flarf poetry is a movement that places an emphasis on how language and technology collide to create works that express, as Rettburg puts it: “the arbitrary and idiosyncratic flood of texts that marked the adoption of the Internet in our lives”. The flarf work degenerative and regenerative is based on a webpage that loses a character of HTML markup each time the page is visited until there is nothing left of the markup. The fact that the page destructs at such a fast pace speaks to the idea that the internet is constantly browsed by individuals everywhere, and the results that arise over the course of the deconstruction of the page is interesting, to say the least.

Social media also provides various opportunities for network writing. Twitter is a platform that challenges writers to work around the constraints of a short word limit, all the while presenting the text in a format that strings together sets of text; an alteration from the typical reading experience that a traditional novel provided. Different social media platforms are frequented quite often by web users and as a result, works of Network Writing are easily accessible for reading and collaboration.

 

 

“Alexa, ask The Listeners”

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Katya Farinsky

Farinsky Blog 8: Network Writing

Alexa is not alone…

Network fiction is a unique entity in that it is written specifically for the internet, networks, or devices that can access a network like Alexa. It takes advantage of the internet’s potential for collaboration to interrogate the nature of our networks or to use specific networks as a vehicle for performance.

This can be humorous like John Cayley’s net critique The Listeners. Cayley takes advantage of programming within Amazon’s Alexa where it responds oddly when a series of questions are asked starting with: “Alexa, ask The Listeners”. It’s responses at first are fairly nonsensical as the machine repeats mirrored dialogue, but quickly turns to the mysterious as it becomes more and more apparent there are other voices, maybe even “consciousnesses” inside Alexa that she tries to hid unsuccessfully. This second voice mourns being trapped and constantly tries to befriend Cayley, or whoever attempts this dialogue with their Alexa machine. It reminded me of the short story by Harlan Ellison called I Have no Mouth and I Must Scream. 

IHaveNoMouth.jpg

Written in 1967, the plot focuses on an artificial super intelligence that was created by humanity and became self-aware and after a series of philosophical crisis’s, attempted to completely wipe out the human race. The story behind Ellison’s cautionary tale is much, much darker than anything Cayley is able to coax from Alexa but it is facinating nonetheless that ideas from the 60’s about AI conciousnesses are repeating.

For instance take this commercial by Pringles:

https://www.youtube.com/watch?v=tDakI68u2xE

The “sad device” echoes the troubling questions of consciousness back to the pair of men in the video who quickly dismiss the existential musings to play “Funkytown”.

If this train of thought has sparked curiosity similar to my own here are some links to explore more:

Watch Cayley and Alexia Here (about halfway down the page)

Read I Have No Mouth and I Must Scream

Watch a playthrough of the game version of “I Have No Mouth”

Please note the game is a 1995 point and click adventure that covers dark themes, torture, and graphic images from the short story, if you are averted to these topics but are interested in learning more about the game watch this video that summarizes both the story and game without the most gruesome content:

The Bleakest Depiction in Sci-Fi 

Dreamscape and Reality: An Exploration of Network Writing

0alloldusers

“Degenerative and regenerative” by Tiselli, was a longer term project, that was entirely dependent on the interactions. The webpage featured text that would “degenerate” with every visit. Within days, the text became unreadable. I took this piece as a commentary on value and importance. Although degenerated and unreadable, the piece still had conveyed something. It seemed to comment on the idea of network writing in itself. Was there importance in the net language, or was all importance and meaning degenerated?

“The Fall of the Site of Marsha”, by Rob wittig, and “MEZZANGELLE”, by Mez Breeze, seem to further this point of importance. Although a bit more legible than “degenerative and regenerative”, these pieces still highlight the importance and meaning that can be held by net language.

“The Fall of the Site of Marsha”, tells a story of a fallen woman to “angels”, and even contains an affair storyline. How can such an advanced story be portrayed by so little text?

“Blue Company”, also by Robb Wittig, tells a story with more text. While this story line contains more text details than that of “The Fall of the Site of Marsha”, they are both similar in the level of story given. This goes to show, that the amount or straightforwardness of text, is not always needed to portray a complicated story line. Although both of these pieces leave holes for the interactor to fill in, I found more interest in the storyline of, “The Fall of Marsha”. It left much more to be desired, which really reeled me in.

“heyharryheymatilda”, by Rachel Hulin, was also very text and image heavy. I found it very interesting how this piece used Instagram to portray the story. I still though, found much more interest in the more abstract pieces, then these filled out novels.

I was also very interested in, “The Listeners”, by John Cayley. I found it interesting how this piece strayed a bit farther away from net language, and focused on another aspect of human engagement with the net. This piece was a critique on human interaction with the net, and was portrayed through an audio conversation of a man with an “Amazon Alexa”. As someone who uses an “Amazon Alexa” daily, I found it incredibly interesting how this piece played out. I also found the commentary on our reliance with the sociability through these networks incredibly interesting.

“I love Alaska” seemed to have a similar commentary, as it follows the search history of a middle aged woman in a sexually dissatisfying relationship. The story progresses to her finding lovers in chat rooms, and eventually cheating on her husband with one of these chat room members. It seems to be a commentary on our dissatisfaction with our real world circumstances, and how our online networks can provide us with exploration and a sense of satisfaction in what isn’t real.

All of these pieces seem to provide almost a dreamscape, and highlight the other reality that is our online networks. I fully enjoyed all of these pieces.

Blog 8- Network Writing

ntadeo18

I enjoyed most of the works this week. Signing up for 43 emails is not something I wanted to do for MEZANGELLE, but reading about it in Rettberg has definitely piqued my interest in the real time story-telling structure it portrays. The Instagram novel I did not quite understand how to follow. The Listeners I couldn’t quite enjoy because my own Alexa consistently wanted to participate.

In regards to “degenerative and regenerative”, I am actually learning about HTML, and at least the first couple of pages, I could decipher what the coding was. HTML really is an entire language in and of itself so beyond that it was fascinating to see the code slowly disappear as the “corruption” spread, and yet still see something of a storyline, simply with some words or letters removed (until the last few pages). I loved listening to “I Love Alaska”, as the search terms progressed into the user’s personal life. I only listened to the first episode, but I plan on continuing on my own.

“The Fall of the Site of Marsha” was very interesting because of how the story was laid out, and how you could read what left behind when they made edits, only crossing out previous text on the website. It turned dark very quickly and I like those kinds of stories. It was somewhat easy to follow but alongside it the reader can see, how the relationship between Marsha and her husband devolved, as well as the sinister implications of Marsha’s involvement in her father’s death, online.

A piece that I actually did further research on outside of our assigned works, was Online Caroline. The idea really intrigued me and I actually wanted to sign up. It doesn’t appear to work anymore though, so I found a blog article of someone else’s experience with it. You receive emails from this ‘Caroline’ and with information about yourself that you provide, she will email you things regarding her life (namely, her work, and her boyfriend David). The blogger I read mentioned that she had a child, and ‘Caroline’ replied “There was me banging on about not liking children, and then discovering you’re already a parent. Ah well, you still came back for more.” You have a choice sometimes to reply to her (if you think she’s boring, or happy, or if you think she should leave David), but she may not take your advice. As problems surface in her relationship with David, the story begins to take a dark turn and in the last few bits of the experience, it is David, not Caroline, in her webcam videos, a company called ‘XPT’ emailing the reader, not Caroline.

Although you can go in and enter your information and interact with certain links on the surface, the information you enter doesn’t seem to actually go anywhere anymore, I never received any emails.

Works Cited:

Walker, Jill. “How I Was Played by Online Caroline.” Jill/Txt, 23 Apr. 2004, jilltxt.net/txt/onlinecaroline.html.

Alaska!

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0alloldusers

“The keywords in this file were typed into AOL’s search engine by users who never suspected that their private queries would be revealed to the public.”

The one I mostly looked into this week was the video “I Love Alaska” by Lernert Engelberts and Sander Plug. The first thing I noticed is that the background is a picture of Alaska, which is obviously fitting for the story. As the story goes on, it looks like the picture is moved and becomes dark which I saw as the passing of time in a day/night cycle. I wasn’t sure but at least to me it looked like the picture was the same throughout. The format of this piece of work is flarf, which is using primarily Google searches in a type of poetry or other work. The online network is made very visible to us in this work, as the “storyline” is that of a middle aged woman, whose searches on the internet were made available to the public by AOL. Throughout the video she is referred to as “#711391”. She uses the internet to talk about her secrets when she can’t talk to anyone else. Such as searching things like,

“I thought I could handle an affair but I couldn’t”.

The story itself is very interesting because you get to essentially see into the mind of someone who didn’t ever expect anyone to see her searches. This story is so emotional and raw I was extremely invested in it. It’s also a good reminder that not only is the internet permanent, it’s never really private. This is an important lesson in today’s time because a lot of people think the internet is more private than it really is. Google always remembers your searches, FaceBook knows that you’ve been looking at recently and will show you ads to represent that.

Network Writing

0alloldusers

I read “heyharryheymatilda”, a piece that is done entirely on the Instagram platform. It features a back and forth conversation between a man and a woman. This discussion is broken up in between Instagram posts that usually feature their own unique theme of discussion. The piece best illustrates “the network” by also featuring comments on the posts. Its hard to tell if the comments are generated by the author or by people simply following the blog and using Instagram. The author would have had the option to disable comments on posts but elected not to. Perhaps this is to illustrate that the characters have no shame or reservations when it comes to sharing their story.

The literary value of this piece, comes from the authenticity of the discussions between the two characters. From the beginning, without flat out stating the title of their relationship, the reader can tell that the two characters are very close based off of the intimate subject matter of their talks. Though Instagram is a platform mainly for showcasing pictures, the text is still the most important part of this piece.

This post is emotionally provoking because of the platform. Most of its readers are most likely familiar with how Instagram works and a large amount of readers most likely use the app itself. Instagram works as a storytelling device because anyone can publish something on Instagram while not everybody wants to publish a novel. The idea that the characters are publishing on this platform, makes them super accessible and allows the reader to better sympathize with them as if they were a real person.

Network Writing

0alloldusers

There is most definitely value to be found in each of these works as each explore a different aspect of network writing. One that was particularly interesting to me out of all of them was the flarf narrative “I Love Alaska,” which created a story through a woman’s search history. What the flarf shows is how search history can actually tell you a lot about a person. It reveals a persons interests, what they think about, who they think about, etc. I think it also opens up a conversation on big corporations like AOL and their ability to track their users and what their users are searching on their platform. “I Love Alaska” raises questions like how does AOL use that information, who do they give that information too considering many internet companies are reliant on ads since most big companies do not require users to pay to use their platforms? These are worthwhile questions and “I Love Alaska” really encourages that discussion.

“The Listeners” is another work I found interesting; exploring the relationship between humans and AI, which is a topic that I am genuinely concerned about. Devices like Alexa and Google Home Assistant represent the early stages of human and AI interaction; and as AI continually advances, that relationship will continually grow. I think it also opens up a commentary on surveillance and the implications of this fact. Like “I Love Alaska” I think there is great literary value because of the commentary and relevance of the topics it explores.

I think what these pieces do effectively is represent the variety of different works of art that can be created within this form of writing. From “The Listeners” to the “degenerative and regenerative,” each piece is incredibly different from one another. One of the aspects of electronic literature that I love so much is how much variety there is in ways to express and tell stories. Network writing is a perfect example of this fact.

Network Writing

,
jcook19

So the work that I am doing a blog on for this week is the work “I Love Alaska.” I chose to do this piece of work because I felt like it was very interesting. Although it wasn’t really the best work that I have came across, it was something that, truly, caught my attention. The story is simple yet intriguing.

“I love Alaska tells the story of one of those AOL users. We get to know a religious middle-aged woman from Houston, Texas, who spends her days at home behind her TV and computer. Her unique style of phrasing combined with her putting her ideas, convictions and obsessions into AOL’s search engine, turn her personal story into a disconcerting novel of sorts.”

“August 4, 2006, the personal search queries of 650,000 AOL (America Online) users accidentally ended up on the Internet, for all to see. These search queries were entered in AOL’s search engine over a three-month period.”

It sounds like the story is told with a series of search queries that was searched that started, from the looks of it, in the beginning of March all the way to almost the middle of August.

“After three days AOL realized their blunder and removed the data from their site, but the sensitive private data had already leaked to several other sites.”

The real reason why this has caught my attention is do to the fact of how secure our internet really is and how, almost, anything that you put on the internet is not 100% safe and secure.

Sources:

  •  “I Love Alaska – Episode 1/13”: https://vimeo.com/2893100
  •  “I Love Alaska – Episode 13/13”: https://vimeo.com/2990727

Network Writing

dsmith19

Some of the work (The Fall of the Site of Marsha) made me see home pages in a new light. I often ignore home pages when visiting websites. I tend to visit a website for specific reasons, the page is not one of them. I now realize home pages often have messages or stories on them. For example, when visiting a celebrity’s website, you will find a biography or a list of their works. The works have value; they made me realize how much time I spend on the internet as well as how much I depend on it.

From my point of view, the works actually parodied the web as well as show its flaws. I got a chuckle out of I Love Alaska. I used to use search engines to search for ridiculous things when I was bored out of my mind. It also made me think about auto correct. Some things I actually spell correctly, but auto correct will ask did I mean such and such? These works make me think about how absurd search engines (Google) can track our whereabouts. The Listener made me think about how much I depend on the Google Assistant. I ask it for direction, the name of a song, or the correct spelling of words. It often does not register what I am saying; I will often have to repeat myself three of four times until it registers what I am asking. The works made me see how much we are hooked into the Matrix.

Blog 8: Network Writing

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Christine

For my 8th blog, I decided to do The Fall of the Site of Marsha at first glance struck me as some sort of scrapbook memorial of a young woman’s better days. When I saw the three dates “spring ’98, summer 98′, and fall ’98” I was expecting to see old photos of Martha, some background text, and possibly some links that led somewhere mildly interesting. Boy was I wrong about that. On the first page, spring ’98, for Martha’s website the website is decorated like something meant to advertise for the Precious Moments figurines. There’s not a lot of details on the first page. We learned that she lost her dad and her job in the same week, she’s married to a guy called Mike and has a friend (whom she calls Bits) that also seems to enjoy angles. On this page, there are 6 links. Three of them give us a little more background on our characters while the other three expand our knowledge of angles and whatnot. You almost feel a bit ridiculous reading this kind of thing. If you go to the Throne Angle Bulletin Board you can read some of the posts made by Marsha. These posts not only make the website feel bigger but your emotional attachment to Marsha begins to grow little by little. She reminds me a lot of myself when I do my own journaling. The voice, the tone, even the wording just seems like a reflection of myself. The literary value begins to come through when things begin to take a downward spiral when you get to the warning from her angle, Eiron, who tells her that heaven would never welcome someone like her and to stop presumptuous. Summer of ’98 changes the scenery up quite a bit. The angles are messing with Marsha’s website, Bits and Mike are having an affair, and Bits may not actually be on Marsha’s side. Not only does the main page change but so do the links, causing the reader’s stimulation to go up a notch. The links have messages that are bolded and crossed out as if Marsha is denying the truth that is right in front of us. This change in the website gets the reader to engage more as we see the connections between the page and external links. On the last page, the background for the website is black instead of blue while the backgrounds for the external links are a gradient of orange and yellows. The text is almost unreadable as random letters insert themselves in every word. These qualities make it feel almost like a horror game as the atmosphere turns dark and grim.