Video Game Blog Post

One of my favorite examples of storytelling in videogames is Bloodborne- The impact of the narrative would be largely nullified if translated to any other medium. The game depicts a Victorian city infested with supernatural beasts and Lovecraftian horrors, and only a vague sense of player motivation. 

Almost every storytelling beat feels more decipherable than discoverable- the characters are alluring but cryptic, the world rich but merciless. The depth of each encounter scales with how much you as the player are willing to invest in the world- are you slaughtering a nameless animal, or have you in some way committed an act more insidious? 

The motifs of the game are noticeable but subtle- Futility, hubris, femininity and childbirth- they’re all present but never overt. The gameplay is as fittingly oppressive as the world you’re thrown into, fraught with (of course) blood and repeated deaths. 

The harsh nature of the game makes the quiet pockets of optimism that much more impactful. The moon is dripping red with blood, but it is also a thing of beauty- the diametric ideas of horror and beauty intersecting are buttressed by the strong gameplay and player agency.

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