Digital Storytelling students and professors read Mobile Interface Theory during a break in class last week…

Digital Storytelling student Vern Blystone and other members of the DTC 354 Digital Storytelling class explore the Village at Fort Vancouver earlier today. The class spends every Thursday doing fieldwork at the Fort, and today had the great fortune of beautiful sunny skies to accompany them on their tasks 🙂

One of the most exciting things in the Mobile Storytelling class this semester is that we are among the first courses to use former WSU Tri-Cities and current University of Maryland professor Jason Farman‘s new book, Mobile Interface Theory: Embodied Space and Locative Media, published by Routledge.

From the Introduction:

“The term “mobile” has been applied to technologies as early as papyrus, when the written word became transportable across a broad geographic space. Today we typically tend to attribute the word to digital devices such as “mobile” phones, GPS units, tablet computers, and gaming systems. Thus, the notion that mobile technologies are new is indeed shortsighted. Throughout history, when a medium that was once understood as geographically fixed becomes mobile, a cultural shift accompanies this transformation. As writing moved from inscriptions on stone to marks on a piece of paper or papyrus, the world changed. Not only did the human thought process become revolutionized as the process of writing could more closely match the speed of thought, but these thoughts could be spread globally. Thoughts were no longer geographically specific; that is, you didn’t have to travel to a particular place to read an inscription. Instead, the inscription came to you.

A similar cultural shift has been taking place as computing technologies are continually moving from their static location at the home or office computer and becoming mobile. As Intel announced back in 2000, “Computing, not computers will characterize the next era of the computer age.” This points to a key tenet of our current cultural shift: it is less about the devices and more about an activity. This book analyzes that activity, which is a practice of embodied space in the digital age. Here, I want to focus on mobile interfaces as my primary object of study, developing the ways that these devices work in tandem with bodies and locales in a process of inscribing meaning into our contemporary social and spatial interactions. I think it is important to define “mobile media” broadly to include not only our digital devices but also print texts, subway passes, identification and credit cards, and everyday objects that signify elements of our identity such as keys, notepads, and checkbooks.”

A course co-taught by WSUV Professor Dene Grigar and the Chief Ranger & Historian at the Fort Vancouver National Historic Site, Greg Shine, began this past week.

Mobile Storytelling (DTC 354) this semester will use the Women and Domestic Life at the Village phase of the FVMobile project as the working centerpiece. Students meet twice a week, with the second meeting each week typically occurring at the Fort Vancouver site. They will have the opportunity to contribute to the project as part of their work in the class, and to bring their insights and ideas into the project.

The on site work will enable the students to have a greater sense of the stories they will tell through the mobile device, and allow them the chance to test them out in the place they are designed to be used. An overnight stay at the Fort might also be in the cards, to force the students to disconnect from the technology of today and live as its original inhabitants did.

For interested students at WSUV, the Digital Storytelling class in the Spring 2012 will feature the Fort Vancouver Mobile project. Co-taught by CMDC program director Dene Grigar and the Chief Ranger of the Fort Vancouver National Historic Site, Greg Shine, the class is an excellent entry point for students beginning to explore digital media either through the DTC program or on their own. It provides excellent preparation for creative non-fiction writing combined with videography, and will widen students’ set of tools for storytelling in multiple platforms.

The class is open to all WSUV students, and no previous experience is necessary. However, a strong desire to explore and work in digital environments is encouraged. The class will meet both on the WSUV campus as well as at the Fort Vancouver historical site, on Tuesdays and Thursdays from 1:25-2:40.

History Department professor Sue Peabody’s class the same semester on Tuesday evenings,  Hist 400.01: History in Media: French Colonial History through Film, Fiction and New Media, serves as a fine companion course for students interested in a deeper immersion. In addition to working as a Core 2 class, students can use their visits to Fort Vancouver and their work with the mobile project in concert with HIST 400.01. This is a one-time-only class, so take advantage of it!