Talk about Pathfinders for Honors 301 Students

floppy“Pathfinding:  A Cultural Approach to Preservation, Archiving, and Dissemination”

URL: http://dtc-wsuv.org/wp/pathfinders

Abstract:
This talk centers on an approach to the preservation, archiving, and dissemination of digital media, such as computer games, electronic literature, and virtual worlds, that takes into account the cultural context of a work.  Such an approach has not yet been fully explored, but based on the research undertaken for the Pathfinders project, I argue that it can add an important component missing in current preservation techniques.

 

Today I am giving a talk to students in Honors 301 about the Pathfinders project.   It occurs to me that in doing so, I should try to tie into the notion of obsolescence with digital objects they value (as I focus on those I value):  Video Games.

Links:

mario“Cloud Gaming to Make Consoles Obsolete” :  http://advanced-television.com/2014/03/05/cloud-gaming-to-make-consoles-obsolete/

Pathfinder’s Vimeo Channel: https://vimeo.com/channels/elitpathfinders


Research Question:

What happens to literary works meant to be experienced on a computing device when the software and computer systems with and for which they are created update, change or become obsolete?  Do we allow these works also to become obsolete, or do we find ways to preserve them since they are important literary and cultural artifacts?

Goals:

  • To preserve seminal works of early digital literature
  • To innovate “collection” as an approach to preservation, archiving, and dissemination (PAD) through the “traversal”
  • To inspire other scholars to undertake PAD projects for digital objects
  • To inform developers and artists of best practices for creating works with PAD in mind

Methodology:
Videotaped interviews and traversals* by authors and by two users who interacted with each work

All videos, as well as sound files, images, binary code, and scholarly commentary, are collected and prepared for presentation in a multimedia book produced in coding languages HTML5, CSS3, and Javascript.   This book will be distributed to the public for free via the Pathfinders website as well as other venues such as the ELO website, HASTAC, and MLA, among others.  Additionally, a co-authored print-based book, entitled Paths to PAD:  Critical Essays about Early Digital Literature and Its Preservation, that will accompany the multimedia book and containing longer critical essays is being produced.

Findings:

1.  Through our research we have found that the most stable platforms for digital media development are web-based languages (HTML5, CSS3, Javascript) and video.  Unsurprisingly proprietary software poses challenges to long-term preservation of digital objects.  

2.  We also discovered that Collection, despite the difficulties it poses in terms of maintaining platforms over time, offers an important component missing from Emulation and Migration––that is, the cultural context in which the work was created.

3.  Finally, we have come to see that when preserving digital works, all three approaches should be explored in order not to missing an important aspect of the work since they each offer important affordances for understanding and interpreting them.

 

* Traversals entailed the author of each work, as well as two additional readers, to read the work aloud, explaining the choices made as they encountered and clicked on hyperlinks found in the work, while we captured these readings on video. Following this process, authors and readers were interviewed about their experience and their comments documented.  This approach to Collection had not yet been used.

Bill Bly’s Artist’s Statement for We Descend

We are pleased to post Bill Bly’s Artist’s Statement for his work, We Descend, on Pathfinders.  It will become part of the archive of Pathfinders, the multimedia book, which is in production now.

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bly-pathfindersArtist Statement, We Descend
by Bill Bly

Almost three decades ago, while I was doing something else, five words dropped unbidden into my mind: “If this document is authentic…” I tried to keep at what I was working on, but the phrase kept repeating, until I finally turned my attention to it.

Who’s saying this? I wondered. What document? Why wouldn’t it be authentic? How would it be authenticated? Where did it come from in the first place? As I pondered these questions over a period of time, a clutch of fragmentary writings began to appear under my hands.

Almost from the beginning it was clear that each of these texts bore a double significance: each told a story, but each had a story as well. Further, their transmission as a group formed yet another story: their possible origin in some personal collection that was passed on, lost, found again, added to, broken up and scattered, all but destroyed, then miraculously pulled together again. Eventually, what came to be called We Descend took the shape of an archive of archives, an anthology of writings by numerous authors, which had been gathered and repeatedly reorganized, passing through the hands of many generations.

Every time a new Writing turned up, those five first questions crowded in along with it, followed by a cloud of proposals, conjectures, romantic imaginings — each provisional solution embodied in yet another Writing, whose own provenance had to be established or at least guessed at. Successive curators of the archives must have tried to organize and present them in whatever way seemed best, given the circumstances and the tools each had at hand. And so I tried to do the same. [Read More]

Video Documentation Completed, Multimedia Scalar Book Begun

stuart-deneI loaded all 14 of the documentation videos to the Pathfinders Vimeo Channel yesterday.  There are six for John McDaid, four for Judy Malloy, and four for Shelley Jackson.  I plan to spend this morning tagging and commenting on them so that they are easily findable and contextualized.  Right now they are organized by newest uploaded, but I plan to structure the channel in alphabetical order.

Additionally, Stuart and I have begun to develop the multimedia book that these videos, our critical essays, images, and other artifacts will be placed.  We will be using Scalar as the platform for the book.  We met with Craig and Erik this week to go over the final issues related to getting up and running on Scalar.  Will Luers is advising us on the theme and design.  The goal is to have the book in draft format by December, as stated in the NEH grant.

Pathfinders Moving Forward

photoStuart’s visit last week was a whirlwind of activity.  We spend all day Tuesday in ELL developing the plan for the multimedia book.  Will Luers, who is our Scalar consultant for the project, joined us to provide a tutorial on authoring with Scalar.  We inventoried and organized our materials so that they can be easily added to the templates.  The next day we worked on the grants for the next phase of the project.

We also had the opportunity to welcome two new members of the Pathfinders team. Madeleine Brookman, an Honors student in the CMDC program, will take over duties begun by Amalia Vacca, who is graduating this fall.  Madeleine will work with Grigar on a variety of duties, including overseeing the media assets of the project, managing its website and social media sites, and helping to develop the multimedia book.  Troy Wayrynen is a professional videographer who worked for many years at the Columbian newspaper before joining the CMDC Program this fall to pursue courses in multimedia design.  Troy will be in charge of editing the final versions of the videos.

Next Phase

Stuart will be at WSUV from August 11-14 to work with me on the next phase of the project.  Both of us have written extensively on the various works that we have selected for Pathfinders.  It is time to develop the multimedia book that will host all of the videos, criticism, code, and other assets of the project.  We are also plotting the next grant, which we envision as a symposium on digital preservation  for a variety of media objects.

Pathfinders at ELO 2014

Stuart and I gave a presentation about Pathfinders on Friday, June 20, 2014 at the Electronic Literature Organization 2014 conference, held at the University of Wisconsin Milwaukee.  In the audience were one of our Pathfinders authors, Bill Bly, as well as other pioneers of early digital literature whom Stuart and I have identified as the next ones we wish to preserve with our project.  Questions raised by the audience are worth noting and commenting on here:

1.  Gatekeeping
Jim Rosenberg expressed concerns about the way preservation tends toward “gatekeeping”––that is, privileging some works over others in choices of preservation.  My response to Jim was that I would like to avoid what I call the “Sappho Syndrome” [1] and preserve everyone of the authors in my media library that I possibly can in my lifetime, but that Stuart and I had to begin somewhere.  So, we worked hard to develop criteria that would help us select among the early authors in a reasonable way.  One criteria, for example, involved gender equity.  Stuart and I chose to preserve two women (Malloy, Jackson) and two men (Moulthrop, McDaid).

2. Focus
Stuart and I had to reiterate to the audience that we are not preserving works but rather the experience readers have with works of early digital literature.  This approach distinguishes our project from the many that focus on emulation and migration and makes our project decidedly humanist since the focus is on people experiencing the work and not the object of their experience.

3.  The Multimedia Book
As I mentioned to the audience, Stuart and I are making a multimedia book that will contain all of the data we collected, including, in some cases, the binary code of works; polished videos of the traversals and interviews by the authors and readers; and critical commentary about the works we preserved.  While we promised in the grant that the book would be produced in Scalar, I stressed to the audience that I was making a second copy in HTML5, CSS3, and Javascript outside of Scalar in order to preserve a copy on our own server sooner than later.

4.  Next Steps
With all of the data collected, videos in the process of being polished, and the book underway, my mind naturally turns to next steps.  At the conference I spoke to Deena Larsen about preserving Marble Springs, to Jim Rosenberg about preserving Intergrams.  Stuart and I have already spoken to MD Coverley about Califia and Stephanie Strickland about True North. Stuart and I will finalize plans in the coming months.  In the meantime I am already setting the stage for preserving mobile electronic literature, or what I call “literary apps,” by decommissioning an early iPad that held many copies of e-lit works I have purchased or downloaded for free when they were first made available.  The iPad has been disconnected from the internet and, so, will contain these early versions. I will continue to decommission other iPads that contain later versions of these works so that in some future time scholars can use this data to study these works on topics relating to platform studies, comparative literature, literary history, and literary biography.

Notes
[1] By “Sappho Syndrome” I mean the consequences of political, religious, and cultural forces upon the longevity and future accessibility of a work of art. I use Sappho, the ancient Greek poet from the 7th century AD, as a model because  up until recently, only one extant poem by Sappho, “Hymn to Aphrodite,” has been available to us, despite the fact that we know that many more existed.  We may never know why a larger body of complete work by Sappho did not survive when much more produced by other ancient Greek poets has. Some scholars theorize that political, religious, and cultural forces may have impacted the perceived value of her work, resulting in its loss.  Certainly, Stuart and I seek to avoid selecting works based on political, religious and cultural criteria, which we see akin to censorship.

Madeleine Brookman To Join Pathfinders in the Fall

CMDC student Madeleine Brookman was awarded a 2014 Auvil Fellowship by WSU to work with me in ELL and on the Pathfinders project.  Specifically, Madeleine will work with me with the ongoing archival and preservation work for the  electronic literature in my media library and those collected from the recent acquisition of the online journal, Poems That Go.  We will be using the methods created for Pathfinders to our work in ELL. She will also assist in developing methods and best practices for preserving works of electronic literature created for the mobile environment, an area that is yet to be addressed by e-lit preservationists––we have just de-commissioned an early iPad for this purpose and plan to experiment with best practices for keeping versions of e-lit apps for future study. Finally, Madeleine will  serve as the Media Librarian, continuing the work of Amalia Vacca to document and organize the works in my library.

Rough Cuts of Pathfinder Videos Ready

Stuart and I have uploaded the first three sets of Pathfinders videos to our YouTube channel.  These videos included the traversals of John McDaid, Judy Malloy, and Shelley Jackson.

The final versions will be the polished ones, with video and sound perfected by Aaron Wintersong, who captured the video footage for us.

Coming next are videos of Bill Bly and Stuart.

Born Digital: Research into Digital Storytelling and E-Poetics

This article is appearing in WSUV’s Crimson & Gray (Spring 2014, Volume 4, Number 2) and features the preservation work that Stuart and I are doing in the Pathfinders project. A special thank you to the good folks at MarCom for featuring our research in this publication.

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nwcg-digital-stuart

Stuart Moulthrop reading his seminal work Victory Garden with the CMDC’s technical assistant Greg Philbrook and me looking on.

Many people tremble with excitement while ripping open a box containing a new computer or electronic gadget. Dene Grigar, associate professor and director of the creative media and digital culture program at Washington State University Vancouver, gets that same tingle when she opens a box containing an old computer.

“Guess what I got today?” Grigar claps her hands together in delight. “An iMac G3!”

Grigar directs the Electronic Literature Lab, where she has collected more than 28 vintage Macintosh computers, the likes of which have long since been forgotten, donated or discarded by most people. While she delights in the hardware, it’s not the hardware itself that fuels Grigar’s passion. The computers are the medium that allow her to access and preserve electronic literature.

Read the article at the Crimson & Gray

We All Descend

[Special Note:  This posting comes as a response to the traversal and interview that Stuart and I conducted with Bill Bly, author of the hypertext novel We Descend, at the Maryland Institute for Technology in the Humanities (MITH) at the University of Maryland, where Bly's papers are now archived.  A special thank you to Dr. Matthew Kirschenbaum, Associate Director of MITH, for allowing us the opportunity to visit the archives and to videotape in MITH offices and for participating in a traversal for us, and to Bill Bly for the time he gave us and for his art.  Pathfinders is richer for it.]

 

dantes-hellThe Buzzfeed game I played yesterday about where I would reside in Dante’s Inferno placed me right smack in Limbo with the virtuous pagans, Plato and Aristotle.  Those of you who know me probably understand why spending eternity with these Greek philosophers does not seem much of a punishment, even if it is hell we are talking about.  Of course, in Dante’s world view this nether land of shades and shadows is actually a far better  location than any of hell’s circles below.

Dante’s story of his decent to this realm of the afterlife and his vision of the place he believes a great many of us will end up reminds me of Bill Bly’s We Descend, another epic structured as a journey.  My Pathfinders Co-PI Stuart Moulthrop and I had just spent the previous weekend with Bill at the Maryland Institute for Technology in the Humanities where we videotaped several traversals of his work.  So, Bill’s story of Edgerus digging through a maze of information in his journey to knowledge about the past was still haunting me days after my return.  Thinking about the metaphor of “the descent” as I played the Buzzfeed game, I was struck by the idea that Bill’s use of it has us going as deep into the abyss as we do for Dante’s underworld, for We Descend takes us through a complex scheme of space––and of time.

Map_WDvol2_Writings-75pct

The up-to-date Map View of the Writings of WDvol2, courtesy of Bill, 10 Feb. 2014

I know.  It is difficult to imagine a more complex schema than Dante’s hell with its many circles and bolgias, but We Descend holds it own against the medieval masterpiece in this regard.  The story takes us through four timelines (five, if you count the timeline the reader represents), beginning with a future post-apocalyptic storyline of Edgerus who digs down through eons of data to reconstruct cultural history, encountering, along the way, Writings by an ancient who calls himself the Last One.  As Bill says, “The Last One transmits the even more ancient writings from the magnificent civilization whose self-destruction he has survived” (Bly, 10 Feb. 2014).  The metaphor of the “archaeological dig” that Bill talked about in his interview with Stuart and me, serves, he said, to “help us to visualize time.” (See Bly’s “Afterward” for a better sense of the levels he presents in the story.) And it does.  Here, I am reminded of how time unfolded below me as I peered down at the ruins of Homer’s Troy––Troy VI and VII––among the nine total possible Troys––and imaging Priam, Hector, and Paris having once dwelled upon one of stratum of soil among so many of them. And there I stood representing yet another Troy, one far removed from theirs.

We spend so little time on earth that we are fooled into thinking of time as a continuum.  Without realizing it, we are tainted by Plato’s allegory of the cave from the Republic, so seamlessly woven into the fabric of Western culture that we are unaware of its influence. And so, we believe that the journey of humankind––and our own personal journeys, for that matter––takes us from ignorance to wisdom, that evolution means eventual enlightenment if humanity can just stick it out long enough.  I mean, modern humans are a far cry from Neandethrals, right?  In this way, Bill’s descent differs from Dante’s.  Whereas Dante hikes into hell’s hole with Virgil as his guide and leaves a better person for it by learning the true nature of sin, we wander alone through We Descend facing hundreds of possible paths with no idea if we will come out of it with any understanding of anything.  Bill’s story is, as he says,  about “evolutionary descent” (Bly Interview).  We refer to ourselves, as Bill reminds us, as “descendants” of those who preceded us, rather than their “ascendants,” a far cry from the more noble pilgrim status conferred upon Dante.  Dante does, indeed, get to climb up Mt. Purgatory and the heavens after his sojourn through hell.

imagesI exaggerate as writers sometimes do to make a point.  Actually, we do come out of We Descend with an understanding.  In fact, Bill revealed this truth when he related the genesis of this story to Stuart and me:  There were “five words,” he said, that came into his head, like a motif that had to be written down: “If this document was authentic.” Thus, the story suggests that humanity’s journey, our descent and ascent over thousands of years, is an odyssey to find those things that are authentic, to seek the true nature of truth.  We can see through this tautology if we remember that the Greek word for truth is alethe, or “not forgetting.” Truth, then, is simply those things that we remember. It is through seeking cultural heritage, through preserving the memory of a people, as the characters in Bill’s story do, that truth is located and maintained.

Ultimately, what We Descend suggests is that we––all humans––are capable of descending and ascending, depending on how heroically we fight for the truth, how hard we work to place truth at the center of our lives.